The so-called
Master of the Female Half-Lengths is named after a painting of 'A Concert of Three Female Figures' (Austria, Harrach collection). He was the author or overseer of a large group of works. The studio was perhaps in Antwerp and had close connections with
Patinir, though the style is more related to that of
Benson and
Ysenbrant. None of his paintings is dated.