Alicia Spencer-Hall (she/they) is an Honorary Senior Research Fellow at University College London. They are an expert in medieval hagiography, with a keen interest in interrogating the ways in which the medieval continues to inhabit the present, and vice versa. Her first monograph, 'Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience' was published by Amsterdam University Press in 2018. 'Trans and Genderqueer Subjects in Medieval Hagiography', a collection co-edited with Blake Gutt, was published in 2021. Shortlisted for the Transgender Non-Fiction award at the 34th Lambda Literary Awards, the volume is now available Open Access. Their second monograph, 'Medieval Twitter', is forthcoming from Arc Humanities. 

Jon Sleigh (he/him) is a freelance Learning Curator, arts educator and art history writer. He works nationally as a specialist in fine art engagement with a diverse portfolio of arts institutions, museum, and heritage sites across the UK. Clients include the National Gallery, The Courtauld, Tate, The National Archives, Historic Royal Palaces, Art Fund, The Government Art Collection DCMS and the Arts Council Collection. Prior to this Jon worked for Birmingham Museums Trust in round one of the acclaimed ACE National Partners Program. He produces, delivers, and consults on art engagement. Jon has built a national reputation for innovation, applied ethics and delivery of projects reflecting inclusive futures. He has a passion for challenging underrepresented narratives in art – co-producing with communities to bring their lived experience to artworks for advocacy.

Dr Siobhán Jolley (she/her) is the Howard and Roberta Ahmanson Research Fellow in Art and Religion at the National Gallery, a Visiting Lecturer in Religions and Theology at King’s College, London, and an Honorary Research Fellow at the Centre for Biblical Studies at the University of Manchester. A specialist in the portrayal of Mary Magdalene, her broader research interests include the work of female artists, the reception of biblical women and the New Testament, and feminist approaches. Her current work with the National Gallery focuses on Storytelling, considering how stories of saints and biblical figures are told from an intersectional, theological and art historical perspective.