Follower of Titian, 'Mythological Scene', probably 1530-1600
About the work
Overview
Reminiscent of Titian’s style, this painting is typical of the kind of mythological scene made for learned, private patrons in Venice that he helped pioneer. Cupid, god of love, raises his arrow to pierce a woman embracing a youth who holds a golden apple.
The central couple may be Hippomenes and the virgin huntress Atalanta, who challenged her suitors to race with her. Hippomenes won the race when Atalanta stopped to pick up the golden apples he threw down. Alternatively, they may be Adonis and Venus, goddess of love; when Cupid accidentally pricked Venus with one of his arrows she fell in love with Adonis.
The background scenes relate to the legend of Adonis. On the right, Myrrha is driven from the house by her father whom she had seduced. She calls on the gods for help, turns into a myrrh tree and gives birth to Adonis. On the left, Adonis is gouged by a boar. Hearing his groans, Venus and Cupid race through the sky but Adonis dies. Venus laments over Adonis' body.
Key facts
Details
- Full title
- Mythological Scene
- Artist
- Follower of Titian
- Artist dates
- active about 1506; died 1576
- Date made
- probably 1530-1600
- Medium and support
- oil on wood
- Dimensions
- 76.2 × 132.1 cm
- Acquisition credit
- Bought, 1882
- Inventory number
- NG1123
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
-
1959Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Venetian School, London 1959
-
1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.