Juan de Valdes Leal, 'The Immaculate Conception with Two Donors', probably 1661
About the work
Overview
The Virgin Mary, crowned with 12 stars and standing on a crescent moon, is surrounded by flowers associated with her purity, a mirror and the crown denoting her position as Queen of Heaven.
The painting refers to the doctrine of the Immaculate Conception (the belief that the Virgin was conceived without sin). Much of the imagery associated with this belief was derived from the Old Testament Song of Solomon, once attributed to Solomon, the King of Israel, whose throne is probably to be identified with that at the top of the staircase to the left. Two life-size figures, the donors, appear in the lower corners – an old woman in mourning dress and a man, presumably her son.
Valdés Leal has used variations in light and tone to distinguish between the earthly and heavenly realms. We are led from the dark, solid forms of the donors in the foreground to the brighter image of the Virgin, and then to the ethereal figure of God.
Key facts
Details
- Full title
- The Immaculate Conception of the Virgin, with Two Donors
- Artist
- Juan de Valdes Leal
- Artist dates
- 1622 - 1690
- Date made
- probably 1661
- Medium and support
- oil on canvas
- Dimensions
- 189.7 × 204.5 cm
- Inscription summary
- Signed; Dated
- Acquisition credit
- Bought, 1889
- Inventory number
- NG1291
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 17th-century Italian Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised by Allan Braham, ‘National Gallery Catalogues: The Spanish School’, London 1988; for further information, see the full catalogue entry.
Exhibition history
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2014Display on Sevillian painting at the Bowes MuseumThe Bowes Museum4 October 2014 - 1 February 2015
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2021Juan de Valdés Leal (1622-1690)Museo de Bellas Artes de Sevilla2 December 2021 - 27 March 2022
Bibliography
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1862Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, French and English Masters, With Which the Proprietors Have Favoured the Institution, June 1862, London 1862
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1905E. Beck, 'Ecclesiastical Dress in Art, V', The Burlington Magazine, VIII/33, 1905, pp. 197-202
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1906E. Beck, 'Ecclesiastical Dress in Art, VI (Conclusion)', The Burlington Magazine, VIII/34, 1906, pp. 271-81
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1907C.L. Martínez, Valdés Leal y sus discípulos: Tesis doctoral, Seville 1907
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1911A. de Beruete y Moret, Valdés Leal: Estudio crítico, Madrid 1911
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1911A. Mayer, Die Sevillaner Malerschule, Leipzig 1911
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1914P. Lafond, Juan de Valdés Leal: Essai sur sa vie et sur son oeuvre, Paris 1914
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1914E. Tormo, 'La Inmaculada y el arte español', Boletín de la Sociedad Española de Excursiones, XXII, 1914, pp. 108-32, 176-208
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1916J. Gestoso y Pérez, Biografía del pintor sevillano Juan de Valdés Leal, Seville 1916
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1922C.L. Martínez, Juan de Valdés Leal, Seville 1922
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1923V. von Loga, Die Malerei in Spanien, Berlin 1923
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1928A. Mayer, La pintura española, Barcelona 1928
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1935M.J. Friedländer and E.L. Ferrari, El realismo en la pintura del siglo XVII: Paises Bajos y España, Madrid 1935
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1952Maclaren, Neil, National Gallery Catalogues: The Spanish School, London 1952
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1955F. Pompey, Juan de Valdés Leal, Madrid 1955
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1970N. MacLaren and A. Braham, The Spanish School, 2nd edn, London 1970
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1978D.T. Kinkead, Juan de Valdés Leal (1622-1690): His Life and Work, New York 1978
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1986E. Valdivieso, Historia de la pintura devillana: Siglos XIII al XX, Seville 1986
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1988Maclaren, Neil, revised by Allan Braham, National Gallery Catalogues: The Spanish School, 2nd edn (revised), London 1988
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1988E. Valdivieso, Juan de Valdés Leal, Seville 1988
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1991E. Valdivieso, Valdés Leal (exh. cat. Museo Nacional del Prado, 1991; Museo de Bellas Artes de Sevilla, 1991), Madrid 1991
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1994S.L. Stratton, The Immaculate Conception in Spanish Art, Cambridge 1994
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2006J. Portús, 'Virgin and Child and Portraits. Pedro Atanasio Bocanegra: The Creative Context', Buletina boletín bulletin B'05, 1, 2006, pp. 43-66
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2009D. Carr, El Greco to Goya: Spanish Painting, London 2009
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.