Francesco Guardi, 'Caprice View with Ruins', after 1780
Full title | Caprice View with Ruins |
---|---|
Artist | Francesco Guardi |
Artist dates | 1712 - 1793 |
Date made | after 1780 |
Medium and support | oil on wood |
Dimensions | 10.4 × 6 cm |
Acquisition credit | Salting Bequest, 1910 |
Inventory number | NG2521.3 |
Location | Not on display |
Collection | Main Collection |
Previous owners |
A crumbling, overgrown archway towers above a man and a young child carrying a stick, who are picked out by warm sunlight. The eye is led into the scene by the contrast of light, which illuminates the white stone building beyond, and shade. The use of simple blocks of colour and black lines to suggest architectural details might give the impression that this work was painted quickly on the spot, but it was most likely created in Guardi’s studio.
This is one of a group of three very small pictures which have been framed together since the early nineteenth century (in another, a stylish couple wander towards a ruined domed building, while the third shows two men standing beside a calm pool and huge archway). Imaginary scenes like this, inspired by the Italian countryside and ancient buildings, were known as capricci, and were bought as souvenirs by visitors to Venice, where Guardi lived and worked.
A crumbling, overgrown archway towers above a man and a young child carrying a stick, who are picked out by warm sunlight. The eye is led into the scene by the contrast of light, which illuminates the white stone building beyond, and shade. The use of simple blocks of colour and black lines to suggest architectural details might give the impression that this work was painted quickly on the spot, but it was most likely created in Guardi’s studio.
This is one of a group of very small capricci, which have been framed together since the early nineteenth century (in another, a stylish couple wander towards a ruined domed building, while the third shows two men standing beside a calm pool and huge archway). These imaginary scenes, inspired by the Italian countryside and classical architecture, were collected as souvenirs by visitors to Venice, where Guardi lived and worked.
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