Jan Gossaert (Jean Gossart), 'A Man holding a Glove', about 1530-2
About the work
Overview
A bearded man gazes out intently from this painting. We don't know who the sitter is, but the cut of his beard and the fashion of his hat and clothes suggest a date towards 1530. The fact that both his doublet and gown are lined with fur probably indicates that the portrait was painted during the winter months.
The picture is rather small and was painted at great speed with immense skill; perhaps neither sitter nor artist had much time to spare. It was in the collection of King Charles I, whose CR brand is on the back. He must have thought very highly of it as he chose to place it with some of the greatest treasures of his collection in the Cabinet Room off the Privy Gallery in the Palace of Westminster.
Key facts
Details
- Full title
- A Man holding a Glove
- Artist
- Jan Gossaert (Jean Gossart)
- Artist dates
- active 1508; died 1532
- Date made
- about 1530-2
- Medium and support
- oil on wood
- Dimensions
- 24.3 × 16.8 cm
- Acquisition credit
- Wynn Ellis Bequest, 1876
- Inventory number
- NG946
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
- Frame
- 16th-century Flemish Frame
Provenance
The portrait was in the collection of Charles I, King of Great Britain, whose CR brand is on the reverse. It can be identified in van der Doort’s catalogue of the king’s pictures as a ‘Mantua piece’ which hung in the Cabinet Room off the Privy Gallery in the Palace of Whitehall. It was therefore purchased by Charles I from Mantua and must have belonged to Vincenzo II Gonzaga (1594–1627), Duke of Mantua; but it has not been identified in the 1627 inventory of his collection. It was presumably sold from the Royal Collection during the Commonwealth but it was recovered for Charles II and placed in the King’s Closet at Whitehall, which was apparently arranged to imitate Charles I’s Cabinet Room. It remained at Whitehall during the reign of James II but appears to have been moved to Kensington Palace by William III and in 1697 and 1700 to have been hanging on the staircase there. It was certainly among the pictures removed by William III (died 1702) to the United Provinces and it was included in a list drawn up by Alexander Stanhope in 1702 of ‘pictures which were carryed to Holland’. By 1712 it was in the palace of Het Loo, near Apeldoorn (west of Deventer and north of Arnhem), where it formed part of the estate of the Stadholder Johan Willem Friso, Prince of Orange (died 1711). In 1712–13 Robert Du Val, curator of the Stadholder’s collections, drew up another list of pictures claimed as Crown property by Queen Anne. No. 88 was ‘Een dito [sc. Een Pourtrait van Holbeen]’ (a ditto [Portrait by Holbein]), and ‘n88’ is written in white in the lower right corner of NG 946 in a characteristic script found on other paintings included in Du Val’s list.
Subsequently, it passed to Johan Willem Friso’s son Willem IV (died 1751) and to his son Willem V (deposed 1802, died 1806); it was still at Het Loo in 1757. It is not known how and when it returned to England, but it belonged to William Wells (1760–1847) of Redleaf in Kent (Landseer’s friend and patron) and was sold with the rest of his collection at Christie’s on 12 May 1848 (lot 40). It was bought by Evans for Scarisbrick: Charles Scarisbrick (1801–1860) of Scarisbrick Hall and Wrightington Hall in Lancashire. His collection was dispersed at Christie’s in May 1861. NG 946 was sold on 12 May 1861 (lot 456) to the dealer Emery. It was afterwards, probably by 1863, in the collection of Wynn Ellis (1790–1875). On 18 November 1875 he made a will bequeathing his collection to the National Gallery. NG 946 was one of two pictures, both described as ‘Holbein. Portrait of a Gentleman’, which were then in the library of his residence at 30 Cadogan Square; it was among the paintings accepted by the Trustees in 1876.
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Lorne Campbell, ‘National Gallery Catalogues: The Sixteenth Century Netherlandish Paintings: With French Paintings before 1600’, London 2014; for further information, see the full catalogue entry.
Exhibition history
-
2010Jan Gossaert's RenaissanceThe Metropolitan Museum of Art6 October 2010 - 17 January 2011The National Gallery (London)23 February 2011 - 30 May 2011
-
2014Strange Beauty: Masters of the German RenaissanceThe National Gallery (London)19 February 2014 - 11 May 2014
-
2018Charles I: King and CollectorRoyal Academy of Arts27 January 2018 - 15 April 2018
Bibliography
-
1945Davies, Martin, National Gallery Catalogues: Early Netherlandish School, London 1945
-
1955Davies, Martin, National Gallery Catalogues: Early Netherlandish School, 2nd edn (revised), London 1955
-
1987Davies, Martin, National Gallery Catalogues: The Early Netherlandish School, 3rd edn, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2014
L. Campbell, National Gallery Catalogues: The Sixteenth Century Netherlandish Paintings: With French Paintings before 1600, 2 vols, London 2014
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.