El Greco has used theatrical gestures and intense colours to express the chaos and disruption of the Purification of the Temple – the moment that Christ drove out traders selling animals for sacrifice, furious that the temple was being used for commerce. Christ’s anger is shown through his body, arm raised ready to strike; he looks like a spring ready to uncoil.
A sculpture of Adam and Eve’s expulsion from the Garden of Eden, to the left of the archway, reinforces the sinfulness of the traders' actions. In contrast, Christ’s apostles stand in front of a relief sculpture showing the Old Testament figure Abraham, who was willing to sacrifice his own son on God’s command.
El Greco painted this subject at least four times, but this is one of the most dramatic versions. In the sixteenth century the episode was seen as a parallel to the cleansing of the Catholic Church through the Counter-Reformation.
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised by Allan Braham, ‘National Gallery Catalogues: The Spanish School’, London 1988; for further information, see the full catalogue entry.
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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