

This picture may have been inspired by Degas's scenes of women bathing, but the subject of the male nude in an ordinary domestic setting is unusual in 19th-century art. Details like the wet footprints, the heap of clothes and the reflections on the metal bath-tub emphasise the banality of the setting.
Such a frank, voyeuristic portrayal of the nude form was potentially shocking to a contemporary audience, and when the painting was first exhibited in Brussels in 1888, it seems to have been shown in a separate room.