Skip to main content

Pierre-Cécile Puvis de Chavannes, 'The Beheading of Saint John the Baptist', about 1869

About the work

Overview

Herod, ruler of Galilee, promised his stepdaughter Salome anything she desired if she danced for him; prompted by her mother, she asked for the head of John the Baptist. The story of the beheading, with its mixture of religion, violence and eroticism, had been depicted many times in art, not least by Caravaggio and Rembrandt.

Puvis de Chavannes painted two versions of it. This is the second, which he worked on over many years but left unfinished at his death. The haunting and enigmatic scene is posed as if on a stage. The artist paints realistic figures but places them in a carefully composed but artificial composition; each is isolated in their own private world. The Baptist contemplates the cross in his final seconds, his thoughts on Christ and the salvation to come; the executioner starts his sword-sweep with balletic precision and concentration; Salome and Herod look on, their expressions reserved and curious. It is a scene of high drama but painted as a moment of the utmost stillness.

Key facts

Details

Full title
The Beheading of Saint John the Baptist
Artist dates
1824 - 1898
Date made
about 1869
Medium and support
oil on canvas
Dimensions
243.5 × 318.4 cm
Acquisition credit
Sir Hugh Lane Bequest, 1917, The National Gallery, London. In partnership with Hugh Lane Gallery, Dublin.
Inventory number
NG3266
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images