François Bonvin, 'Still Life with Book, Papers and Inkwell', 1876
Full title | Still Life with Book, Papers and Inkwell |
---|---|
Artist | François Bonvin |
Artist dates | 1817 - 1887 |
Date made | 1876 |
Medium and support | oil on zinc |
Dimensions | 36.2 × 48.3 cm |
Inscription summary | Signed; Dated |
Acquisition credit | Sir Hugh Lane Bequest, 1917, The National Gallery, London. In partnership with Hugh Lane Gallery, Dublin. |
Inventory number | NG3234 |
Location | On loan: Long Loan to The Hugh Lane (2019 - 2031), Dublin City Gallery The Hugh Lane, Dublin, Ireland |
Collection | Main Collection |
This small oil painting is typical of the still lifes which, together with scenes of everyday life, form the core of Bonvin’s art. His still lifes often include objects associated with a particular profession. The two coins and what might be a ledger book suggest bookkeeping is the profession here. Inkwells, quill pens, books and papers all appear in the pictures of schoolboys, often working at their desks, which Bonvin painted between 1873 and 1879 (the period when this picture was painted), but the spectacles imply an adult is using the items we see here.
Bonvin’s paintings recall those of Chardin in the previous century, but also show his familiarity with seventeenth-century Dutch and Spanish painting. This picture is unusual as it is painted on zinc, but the carefully modulated lighting and subtle use of warm complementary colours are characteristic of Bonvin.
This small oil painting is typical of the still lifes which, together with genre scenes of everyday life, formed the core of Bonvin’s art, although in later life he also painted landscapes such as The Meadow. His still lifes often include objects associated with a particular profession. The two coins and what might be a ledger book suggest bookkeeping is the profession here. Inkwells, quill pens, books and papers all appear in pictures of schoolboys, often working at their desks, which Bonvin painted between 1873 and 1879 (the period when this still life was completed), but the spectacles imply an adult is using the items we see here.
Bonvin’s paintings recall those of Chardin in the previous century, but also show his familiarity with seventeenth-century Dutch and Spanish painting. This picture is unusual as it is painted on zinc, but the carefully modulated lighting and subtle use of warm complementary colours are characteristic of Bonvin.
Download a low-resolution copy of this image for personal use.
License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.
License imageThis image is licensed for non-commercial use under a Creative Commons agreement.
Examples of non-commercial use are:
- Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
- Non-profit publications, personal websites, blogs, and social media
The image file is 800 pixels on the longest side.
As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.
You must agree to the Creative Commons terms and conditions to download this image.