Sir Thomas Lawrence, 'Queen Charlotte', 1789

Bibliography

• 1831
  D.E. Williams, The Life and Correspondence of Sir Thomas Lawrence, 2 vols, London 1831
• 1846
  Engravings from the Choicest of Works of Sir Thomas Lawrence, London 1846
• 1887
  C. Papendiek, Court and Private Life in the Time of Queen Charlotte: Being the Journals of Mrs Papendiek, Assistant Keeper of the Wardrobe and Reader to Her Majesty, ed. V. Delves-Broughton, London 1887
• 1892
  L. Mahon, Letters of … Philip Dormer Stanhope, Earl of Chesterfield, London 1892
• 1900
  R.S. Gower, Sir Thomas Lawrence, with a Catalogue of the Artist's Exhibited and Approved Works Compiled by Algernon Graves, London 1900
• 1905
  A. Dobson (ed.), Diary and Letters of Madame d'Arblay, London 1905
• 1906
  G.S. Layard (ed.), Sir Thomas Lawrence's Letter-Bag, London 1906
• 1937
  H. Walpole, Horace Walpole Correspondence, ed. W.S. Lewis, 48 vols, New Haven 1937
• 1946
  Davies, Martin, National Gallery Catalogues: British School, London 1946
• 1946
  M. Davies, Paintings and Drawings on the Backs of National Gallery Pictures, London 1946
• 1954
  K. Garlick, Sir Thomas Lawrence, London 1954
• 1959
  Davies, Martin, National Gallery Catalogues: British School, 2nd edn (revised), London 1959
• 1965
  K. Garlick, Sir Thomas Lawrence, Paulston 1965
• 1977
  M. Levey, A Royal Subject: Portraits of Queen Charlotte (exh. cat. The National Gallery, 11 August - 2 October 1977), London 1977
• 1979
  M. Levey, Sir Thomas Lawrence (exh. cat., National Portrait Gallery, London), London 1979
• 1979
  R. Ormond and M. Rogers (eds), Dictionary of British Portraiture, 4 vols, London 1979
• 1980
  National Gallery, 'Anniversary Artists: Sir Thomas Lawrence', National Gallery News, 1980
• 1983
  A. Ribeiro, A Visual History of Costume: The Eighteenth Century, London 1983
• 1987
  R. Simon, The Portrait in Britain and America: With a Biographical Dictionary of Portrait Painters 1680-1914, Oxford 1987
• 1989
  K. Garlick, Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings, Oxford 1989
• 1992
  J.T. Hayes, British Paintings of the Sixteenth through Nineteenth Centuries, Washington 1992
• 1992
  A. Wilton, The Swagger Portrait: Grand Manner Portraiture in Britain from Van Dyck to Augustus John 1630-1930 (exh. cat. Tate Gallery, 14 October 1992 - 10 January 1993), London 1992
• 1993
  K. Garlick, Sir Thomas Lawrence: Portraits of an Age, 1790-1830 (exh. cat. Yale Center for British Art, 1993; Kimbell Art Museum, 15 May - 11 July 1993; Virginia Museum of Fine Arts, 3 August - 26 September 1993), Virginia 1993
• 1994
  E. Langmuir, The National Gallery Companion Guide, London 1994
• 1995
  N. Houston, Sir Thomas Lawrence, Pra: A Critical Analysis of His Portraits of His Most Intimate Friends, BA Dissertation, Southampton Institute 1995
• 1995
  R. White and J. Pilc, 'Analyses of Paint Media', National Gallery Technical Bulletin, XVI, 1995, pp. 85-95
• 1996
  C. Lerche, 'Die Herrenhausener Bildnisse von Johann Zoffany: Georg III und die Darstellung des "Patriot King"', Niederdeutsche Beiträge zur Kunstgeschichte, XXXV, 1996, pp. 99-136
• 1998
  J. Egerton, The British School, London 1998
• 1998
  National Gallery, 'Travelling Companions: Drouais and Lawrence', National Gallery News, 1998
• 2000
  Egerton, Judy, National Gallery Catalogues: The British Paintings, revised edn, London 2000
• 2001

  C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001

• 2002
  J. Pomeroy, 'The Arbiters of Taste: Artists as Advisors in Early Nineteenth-Century England', Gazette des beaux-arts, CXXXIX/1597, 2002, pp. 263-72
• 2002
  V. Vernier, 'The Portraits of Queen Charlotte at Queen's', Queen's College Record, 2002, pp. 69-78
• 2005
  M. Levey, Sir Thomas Lawrence, New Haven 2005
• 2005
  R. Hunter, 'With Royal Approval. The Figurehead of HMS Queen Charlotte', Apollo, CLXII/524, 2005, pp. 44-51