Probably by the workshop of Rogier van der Weyden, 'Pietà', probably about 1465
About the work
Overview
According to the Meditations on the Life of Christ and other texts, the weeping Virgin Mary embraced Christ’s body when he was taken down from the Cross. This subject is usually referred to as the pietà.
On the left is Saint Jerome with the lion that was his companion. On the right, a saint wearing the black and white robes of the Dominican Order could be Dominic, but he has no identifying emblem. The donor wears a black garment trimmed with brown fur. The object behind his head is a purple hat, and he wear pattens (wooden overshoes). He is possibly Girolamo Vento, a Genoese merchant living in Bruges in 1469–70.
The figures of the Virgin and Christ are simplified adaptations from the centre panel of the Miraflores Triptych (Gemäldegalerie, Berlin) with other figures added around them. Similar groups occur in other paintings connected with Rogier: it seems that he made a simplified version of the Miraflores Pietà which could be repeated and varied by his assistants for different clients.
Key facts
Details
- Full title
- Pietà
- Artist
- Probably by the workshop of Rogier van der Weyden
- Artist dates
- about 1399 - 1464
- Date made
- probably about 1465
- Medium and support
- oil on wood
- Dimensions
- 35.5 × 45 cm
- Acquisition credit
- Acquired from the Earl of Powis under the terms of the Finance Act, 1956
- Inventory number
- NG6265
- Location
- Not on display
- Collection
- Main Collection
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.