After Massimo Stanzione, 'Monks and Holy Women mourning over the Dead Christ', 18th century or earlier
About the work
Overview
Christ’s body has been taken down from the Cross and lies on the white shroud in which he will be placed in the tomb. Behind him is the Virgin Mary, eyes raised to heaven in grief, and alongside her Saint John the Evangelist, mopping his eyes with a handkerchief, and a second woman, probably Mary Magdalene. In the foreground, bending down to kiss Christ’s hands and feet, are two Carthusian monks, dressed in the white robes of their religious order.
This is a much-reduced copy of a large altarpiece painted for the Carthusian monastery in Naples by Massimo Stanzione, one of the leading Neapolitan painters of the seventeenth century. From 1630 Stanzione was almost constantly involved in large-scale church commissions in Naples, and he executed a number of works for the Carthusian monks in the church of the Certosa di San Martino; some of which, including the original of this composition, are still in situ. This copy may date from the eighteenth century and is unusual for being painted on slate.
Key facts
Details
- Full title
- Monks and Holy Women mourning over the Dead Christ
- Artist
- After Massimo Stanzione
- Artist dates
- about 1585? - 1656
- Date made
- 18th century or earlier
- Medium and support
- oil on slate
- Dimensions
- 43.7 × 52.4 cm
- Acquisition credit
- Bought, 1919
- Inventory number
- NG3401
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Levey, Michael, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.