After Stefano Maderno, 'Hercules and Antaeus', possibly 19th century
Full title | Hercules and Antaeus |
---|---|
Artist | After Stefano Maderno |
Artist dates | 1576 - 1636 |
Date made | possibly 19th century |
Medium and support | bronze, cast |
Dimensions | 58.4 × 29.5 × 22 cm |
Acquisition credit | Presented anonymously, 1957 |
Inventory number | NG6271 |
Location | Not on display |
Collection | Main Collection |
This bronze statue shows the Roman god and hero Hercules fighting the giant Antaeus in one of his ‘Twelve Labours'. Antaeus could not be killed while he remained in contact with his mother, the Earth. Hercules, who was famous for his strength, was able to lift the giant and crush him to death.
The statue may have been produced in Venice, most likely in the nineteenth century. It is based upon a terracotta model of approximately the same size, now in the Ca d’Oro, Venice. This model is signed S.M. and is the work of Stefano Maderno (about 1576–1636).
Maderno was a sculptor from Lombardy in northern Italy, whose work reflects the transition from Mannerism to the Baroque. He achieved considerable fame in Rome in the early seventeenth century and produced a number of small terracotta models, bronzes and marbles based on antique models.
This bronze statue shows the Roman god and hero Hercules fighting the giant Antaeus in one of his ‘Twelve Labours'. Antaeus could not be killed while he remained in contact with his mother, the Earth. Hercules, who was famous for his strength, was able to lift the giant and crush him to death.
The statue may have been produced in Venice, most likely in the nineteenth century. It was assembled from several units that were made separately and is based upon a terracotta model of approximately the same size, which was then in the Accademia in Venice but is now in the Ca d’Oro, also in Venice. This model is signed S.M. and is the work of Stefano Maderno.
Maderno was a sculptor from Lombardy in northern Italy, whose work reflects the transition from Mannerism to the Baroque. He achieved considerable fame in Rome in the early seventeenth century, most notably for his naturalistic statue of Saint Cecilia made around 1600 for the church of Santa Cecilia in Rome. He also produced a number of small terracotta models, bronzes and marbles based upon antique models, many of which depict the Labours of Hercules.
Download a low-resolution copy of this image for personal use.
License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.
License imageThis image is licensed for non-commercial use under a Creative Commons agreement.
Examples of non-commercial use are:
- Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
- Non-profit publications, personal websites, blogs, and social media
The image file is 800 pixels on the longest side.
As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.
You must agree to the Creative Commons terms and conditions to download this image.