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Bartholomeus Bruyn the Elder, 'The Virgin, Saints and a Holy Woman', probably 1530-40

About the work

Overview

This panel was most probably the right-hand wing of a diptych (a painting made up of two panels), and was probably made in Cologne in the 1530s. The location of the left-hand panel is unknown, but it most probably showed the dead Christ.

The figures huddle together and look in the direction of the left panel, weeping at the sight. Their grief is dramatic – their faces anguished, their tears like glass beads on their cheeks. The rippling folds of their brightly coloured clothing intensify the emotion.

The woman at the front is the Virgin Mary, wearing her traditional blue mantle, which here has fur lining at the cuffs. The woman to her left is Mary Magdalene, identifiable by her long, loose hair. Like the holy woman wearing the cap behind her, Mary Magdalene is dressed in elaborate clothing more contemporary to the picture – her billowing sleeve is patterned with silk brocade. The man is Saint John the Evangelist, who is known as the ‘beloved disciple’ and to whom Christ, at the Crucifixion, entrusted his mother.

Key facts

Details

Full title
The Virgin, Saint John, Saint Mary Magdalene and a Holy Woman
Artist dates
1492/5 - 1555
Date made
probably 1530-40
Medium and support
oil on wood
Dimensions
67.9 × 48.3 cm
Acquisition credit
Presented by Henry Wagner, 1924
Inventory number
NG3903
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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