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Bartolomeo Montagna, 'The Virgin and Child', probably about 1485-7

About the work

Overview

We know little about Montagna’s training but it is possible that he spent some time in Giovanni Bellini’s workshop in Venice. This composition, in which the holy figures are shown in half-length often set against a landscape background and usually behind a marble ledge, was pioneered by the Venetian master.

Christ sits on a Bible, perhaps a reference to the Christian belief that he was the fulfillment of the prophecies of the Old Testament. Mother and child each hold a cherry, a fruit which symbolised paradise – a reminder that Christ was the son of God and the gateway to heaven.

The simple but striking forms – for example, the broad triangle of the blue mantle and the way in which the anatomy is constructed from firmly outlined bold shapes – were perhaps inspired by Antonello da Messina, who was in Venice from 1475.

Key facts

Details

Full title
The Virgin and Child
Artist dates
living 1459; died 1523
Date made
probably about 1485-7
Medium and support
oil on wood
Dimensions
64.8 × 54.6 cm
Acquisition credit
Bought, 1869
Inventory number
NG802
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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