Elderly Saint Elizabeth looks down over the Virgin Mary’s shoulder at her son Saint John the Baptist. The Christ Child removes a garland of flowers from his head, symbolising innocence or childish pleasure. He grasps the reed cross held by the infant Saint John, who wears his camel-skin cloak and carries a baptismal bowl.
The reed cross foreshadows the Crucifixion, and by grasping it Christ accepts his destiny to die for humanity. The wild strawberries offered by Saint John may refer to Christ’s fruitful and righteous life, and their colour may also be a reminder of the blood spilled during the events leading up to his death.
The picture was painted around 1540, perhaps for an acquaintance of Bronzino’s at the court of Duke Cosimo I de' Medici in Florence. It is close in style to the frescoes Bronzino painted in the Chapel of Eleonora of Toledo (the Duke’s wife) in the Palazzo Vecchio in around 1541–2.
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
