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Diego Velázquez, 'The Toilet of Venus ('The Rokeby Venus')', 1647-51

About the work

Overview

Venus, the goddess of love, reclines languidly on her bed, the curve of her body echoed in the sweep of sumptuous satin fabric. The pearly tones of her smooth skin contrast with the rich colours and lively brushstrokes of the curtain and sheets.

Venus‘ face is reflected in the mirror held up by her son, Cupid, but her reflection is blurred – we can’t see who she really is. Perhaps Velázquez wanted to make sure that Venus – the personification of female beauty – was not an identifiable person; we have to ‘complete’ her features with our imagination. Cupid’s face and far leg are very loosely painted and appear almost unfinished: Velázquez deliberately used a sketchy style in order to focus our attention on Venus.

This is Velázquez’s only surviving female nude and one of his most celebrated works. Its nickname, ‘The Rokeby Venus’, originates from Rokeby Park, a country house in County Durham, where the painting hung for much of the nineteenth century.

Key facts

Details

Full title
The Toilet of Venus ('The Rokeby Venus')
Artist dates
1599 - 1660
Date made
1647-51
Medium and support
oil on canvas
Dimensions
122.5 × 177 cm
Acquisition credit
Presented by the Art Fund, 1906
Inventory number
NG2057
Location
Not on display
Collection
Main Collection
Frame
17th-century Italian Frame

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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