Flemish, 'Portrait of a Man', 1626
About the work
Overview
The composition derives from a print of 1624 by Paulus Pontius, made after a portrait of the same date by Rubens of Prince Vladislav Sigismond, later King of Poland. We can tell that the artist has used the print as a source because some of the details – as on the hilt of the sword – are slightly different from the painting by Rubens.
The artist copied the posture of the body and many details of the clothing from the print, but placed a different head on the sitter’s shoulders. The sitter here is unknown. The coat of arms is of the Waha family of the Southern Netherlands but it and the inscription are later additions and not necessarily connected with the portrait.
The painting was attributed first to Rubens and then to Jacob Jordaens. Now it is thought to be by an unknown Flemish contemporary who was influenced by Rubens.
Key facts
Details
- Full title
- Portrait of a Man
- Artist
- Flemish
- Date made
- 1626
- Medium and support
- oil on canvas
- Dimensions
- 116.2 × 85.8 cm
- Inscription summary
- Dated and inscribed
- Acquisition credit
- Bought, 1902
- Inventory number
- NG1895
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Gregory Martin, ‘National Gallery Catalogues: The Flemish School: circa 1600–circa 1900’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Martin, Gregory, National Gallery Catalogues: The Flemish School, circa 1600 - circa 1900, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.