Fra Bartolommeo, 'The Virgin adoring the Child with Saint Joseph', before 1511
About the work
Overview
In this painting intended for private devotion, Fra Bartolommeo emphasises the humble circumstances of Christ’s birth. The Virgin kneels on the ground before the newborn Christ, while barefoot Saint Joseph watches over the baby. The makeshift stable made from the ruins of a classical building stands behind them, outside the city walls of Bethlehem. In the background, an artist and his assistants paint a fresco above the city gate while young Saint John the Baptist walks away from Bethlehem, having escaped Herod’s Massacre of the Innocents.
The composition is related to Fra Bartolommeo’s Holy Family (Borghese Gallery, Rome) of about 1495. The unusual pose of the Virgin is derived from Leonardo’s work, and a variation of Fra Bartolommeo’s Holy Family (Museo Poldi Pezzoli, Milan), of about 1504. However, the rich palette and landscape full of incidental detail reveal the influence of Venetian art.
Key facts
Details
- Full title
- The Virgin adoring the Child with Saint Joseph
- Artist
- Fra Bartolommeo
- Artist dates
- 1472? - 1517
- Date made
- before 1511
- Medium and support
- oil on wood
- Dimensions
- 137.8 × 104.8 cm
- Acquisition credit
- Mond Bequest, 1924
- Inventory number
- NG3914
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 16th-century Italian Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Exhibition history
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2014Fra Bartolommeo. Holy Family as a ModelSanta Giulia - Museo della Città20 November 2014 - 18 January 2015
Bibliography
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1801J. Britton and E.W. Brayley, The Beauties of England and Wales, 19 vols, London 1801
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1822R.C. Hoare, History of Modern Wiltshire, London 1822
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1894C. Phillips, 'Early Italian Art at the New Gallery', Daily Telegraph, III, 1894
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1894J.P. Richter, 'Italian Pictures at the New Gallery and at Burlington House', Art Journal, 1894, pp. 62-3
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1903F. Knapp, Fra Bartolommeo della Porta und die schule von San Marco, Halle (Saale) 1903
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1910J.P. Richter, The Mond Collection: An Appreciation, London 1910
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1911G. Frizzoni, 'La raccolta Mond ed opere attinenti alla medesima', Rassegna d'arte, XI, 1911, pp. 43-8
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1924R. Fry, 'The Mond Pictures in the National Gallery', The Burlington Magazine, XLIV/254, 1924, pp. 234-46
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1924A. Venturi, 'La quadreria di Ludwig Mond', L'arte, XXVII, 1924, pp. 200-10
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1930F. Knapp, 'Eine heilige Familie von Fra Bartolommeo', Pantheon, 1930, pp. 37-8
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1959P. Della Pergola, Galleria Borghese: I dipinti, Rome 1959
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1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1975C. Gould, Delaroche and Gautier: Gautier's Views on the 'Execution of Lady Jane Grey' and on other Compositions by Delaroche, London 1975
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1976L. Borgo, The Works of Mariotto Albertinelli, New York 1976
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1986C. Fischer, Disegni di Fra Bartolommeo e della sua scuola (exh. cat. Gabinetto dei Disegni e delle Stampe degli Uffizi, 1986), Florence 1986
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
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1994C. Fischer, Fra Bartolommeo et son atelier: Dessins et peintures des collections françaises (exh. cat. Musée du Louvre, 17 November 1994 - 13 February 1995), Paris 1994
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1996S. Padovani, L'Eta di Savonarola: Fra Bartolomeo e la Scuola di San Marco (exh. cat. Palazzo Pitti, 25 April - 28 July 1996), Florence 1996
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.