Skip to main content

Francesco Morone, 'The Virgin and Child', probably 1520-9

About the work

Overview

The Virgin appears lost in thought as she firmly clutches her son to her. The infant Christ holds an apple in one hand, symbolising his role as the new Adam, born to redeem mankind from original sin after the Fall.

The painting is a fragment of an altarpiece, and has been cut down. The foreshortened arms of the Virgin’s throne suggest that it was originally placed quite high above the viewer, probably flanked by standing saints.The wood it is painted on was severely damaged by woodworm, which may explain why it was cut.

Morone was one of the leading painters in Verona in the early sixteenth century. The very rich, bright colours and the clear light which sharply illuminates every detail are typical of Veronese art of the period. The painting is a late work and probably dates from the 1520s.

Key facts

Details

Full title
The Virgin and Child
Artist dates
about 1471 - 1529
Date made
probably 1520-9
Medium and support
egg tempera on wood
Dimensions
62.2 × 43.2 cm
Acquisition credit
Bought, 1855
Inventory number
NG285
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images