Gabriel Metsu, 'A Man and a Woman seated by a Virginal', about 1665
About the work
Overview
A young couple seem about to strike up a duet. The woman, seated at the keyboard of a virginal, hands her partner a musical score, presumably the part for the violin on the table next to him. Scenes of music making among young people were common in seventeenth-century Dutch painting, and they would certainly have been understood as references to romantic love and – often – a setting for potential debauchery.
Here Metsu seems to be drawing a parallel between the wine glass proffered by the young man and the one held by the figure in the picture on the wall. This refers to another painting by Metsu, one showing drunken celebration on the Christian festival of Twelfth Night. So he might be suggesting that this scene of musical innocence could, fuelled by alcohol, lead to something less chaste. The biblical texts on the virginal seem to be a warning against this.
Key facts
Details
- Full title
- A Man and a Woman seated by a Virginal
- Artist
- Gabriel Metsu
- Artist dates
- 1629 - 1667
- Date made
- about 1665
- Medium and support
- oil on wood
- Dimensions
- 38.4 × 32.2 cm
- Inscription summary
- Signed; Inscribed
- Acquisition credit
- Bought, 1871
- Inventory number
- NG839
- Location
- Room 16
- Collection
- Main Collection
- Previous owners
- Frame
- 17th-century Dutch Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Exhibition history
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2011Gabriel Metsu: Rediscovered Master of the Dutch Golden AgeNational Gallery of Ireland4 September 2010 - 5 December 2010Rijksmuseum Amsterdam16 December 2010 - 21 March 2011National Gallery of Art (Washington DC)17 April 2011 - 24 July 2011
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2013Vermeer and Music: The Art of Love and LeisureThe National Gallery (London)26 June 2013 - 8 September 2013
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2018KWAB. Dutch Design in the Age of RembrandtRijksmuseum Amsterdam29 June 2018 - 16 September 2018
Bibliography
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1830
J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters: In Which is Included a Short Biographical Notice of the Artists, with a Copious Description of Their Principal Pictures […], vol. 2, London 1830
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1844A.M. Jameson, Companion to the Most Celebrated Private Galleries of Art in London: Containing Accurate Catalogues, Arranged Alphabetically, for Immediate Reference, Each Preceded by an Historical & Critical Introduction […], London 1844
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1907C. Hofstede de Groot, Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, 10 vols, London 1907
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1960Maclaren, Neil, National Gallery Catalogues: The Dutch School, 2 vols, London 1960
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1976A.K. Wheelock, 'Review: F. W. Robinson, Gabriel Metsu (1629-1667): A Study of His Place in Dutch Genre Painting of the Golden Age, 1974', Art Bulletin, LVIII, 1976, pp. 456-9
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1983C. Brown, 'Rubens' Watering Place: An Examination of His Landscape Technique', Ringling Museum of Art Journal, 1983, pp. 130-49
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1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
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1993A.A. van Wagenberg - Ter Hoeven, 'The Celebration of Twelfth Night in Netherlandish Art', Simiolus, XXII/1-2, 1993, pp. 56-96
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1995P.J.J. van Thiel and C.J. De Bruyn Kops, Framing in the Golden Age: Picture and Frame in 17th Century Holland, Amsterdam 1995
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1996S. Hahn, S. Metken and P.B. Steiner, Sanct Georg: Der Ritter mit dem Drachen (exh. cat. Historical Museum, 1 March - 2 June 1996), The Hague 1996
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1997N. Penny, Frames, London 1997
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.