German, South, 'Portrait of a Man', about 1530-40
About the work
Overview
This portrait was made to hang with one of a woman by the same artist (Oscar Reinhart Collection, Winterthur), possibly to commemorate the couple’s engagement or marriage. This seems likely as both are shown with flowers associated with marriage: the carnation or pink held by the man was part of a northern European wedding ritual, in which the bride had to hide a pink within her clothing for the groom to find. The woman holds a posy of lily of the valley, which were associated with both marriage and the Virgin Mary.
Like his bride, the man is shown in half-length against a deep blue background; like her, he has bright fair hair and corkscrew curls. His large collar is folded over to reveal its fur lining. The gold detail on his white chemise and the bands of his large rings is matt gilding made from real gold.
Key facts
Details
- Full title
- Portrait of a Man
- Artist
- German, South
- Date made
- about 1530-40
- Medium and support
- oil on wood
- Dimensions
- 49.9 × 39.1 cm
- Acquisition credit
- Bought, 1887
- Inventory number
- NG1232
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Exhibition history
-
2014Strange Beauty: Masters of the German RenaissanceThe National Gallery (London)19 February 2014 - 11 May 2014
Bibliography
-
1959Levey, Michael, National Gallery Catalogues: The German Schools, London 1959
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.