Giovanni Battista Moroni, 'Bust Portrait of a Young Man with an Inscription', about 1560
About the work
Overview
This dark-haired man with his striking ginger beard is said to be an ancestor of Count Lupi of Bergamo. The picture is typical of Moroni’s bust-length portraits of the 1560s. The sitter’s body, truncated by a marble parapet, is turned at a sharp angle to us and his eyes meet ours with a direct, attentive gaze. Moroni has used a very limited palette of repeated colours to tie the composition together and to focus our attention on the face.
The parapet seems to have been an afterthought: it is painted over the clothes. The Latin inscription, ’so long as breath controls my being', comes from Book IV of Virgil’s Aeneid. Aeneas must leave Queen Dido but he utters these words to affirm that he will never forget his love for her. Moroni’s inscription may be a declaration of undying love, a token of loyalty or even an affirmation of religious faith.
Key facts
Details
- Full title
- Bust Portrait of a Young Man with an Inscription
- Artist
- Giovanni Battista Moroni
- Artist dates
- 1520/4 - 1579
- Date made
- about 1560
- Medium and support
- oil on canvas
- Dimensions
- 47.2 × 39.8 cm
- Inscription summary
- Inscribed
- Acquisition credit
- Layard Bequest, 1916
- Inventory number
- NG3129
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
- Frame
- 19th-century English Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Nicholas Penny, ‘National Gallery Catalogues: The Sixteenth Century Italian Paintings’, vol. 1, ‘Paintings from Bergamo, Brescia and Cremona’, London 2004; for further information, see the full catalogue entry.
Exhibition history
-
2019Moroni: The Riches of Renaissance PortraitureThe Frick Collection21 February 2019 - 2 June 2019
-
2023Painted Love: Renaissance Marriage PortraitsHolburne Museum of Art26 May 2023 - 1 October 2023
Bibliography
-
1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2004
Penny, Nicholas, National Gallery Catalogues: The Sixteenth Century Italian Paintings, 1, Paintings from Bergamo, Brescia and Cremona, London 2004
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.