Giovanni Santi, 'The Virgin and Child', perhaps about 1488
About the work
Overview
The Virgin bends over the sleeping Christ Child, the diagonal slope of her body paralleled by that of her son’s. Her lips are parted – perhaps she’s singing her child to sleep. Christ is balanced rather precariously on a red cushion on a parapet. His head rests in his mother’s hand and one arm hangs down limply. His sleep presages his death, and his coral necklace symbolises the blood he will shed during the Passion (his torture and crucifixion).
This is the finest among the surviving small-scale images of the Virgin and Child by Giovanni Santi, father of Raphael. Santi, like other Renaissance artists, often borrowed figures and motifs from other painters. The parapet, cloth of honour and the rich textiles, as well as the landscape with its clumps of spherical trees and distant blue mountains, are all typical of Netherlandish painting.
Key facts
Details
- Full title
- The Virgin and Child
- Artist
- Giovanni Santi
- Artist dates
- active 1469 - 1494
- Date made
- perhaps about 1488
- Medium and support
- oil on wood
- Dimensions
- 68 × 49.8 cm
- Acquisition credit
- Bought, 1865
- Inventory number
- NG751
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Exhibition history
-
2013Coral: Something Rich and StrangeManchester Museum29 November 2013 - 16 March 2014
-
2018Giovanni SantiGalleria Nazionale delle Marche29 November 2018 - 17 March 2019
Bibliography
-
1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
-
1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.