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Henri-Joseph Harpignies, 'River and Hills', about 1850-60

About the work

Overview

A man stands on the winding path beneath the dark, forbidding cliffs. He gazes out across the river, his white cap, coat and backpack lifting the bleakness of the cliffs behind him. High above him, the sun catches a strange construction on the cliff top and crosses the gap between the two halves of the picture, to the mellow glow of the far hillside. On the far bank of the river, poplar trees grow in grey, gravelly soil, their reflections perfect in the still water.

Harpignies met Camille Corot in Rome and became his friend and follower. On his return to France, he put aside the gritty, modernist subjects of the Barbizon artists he had spent some time with. He chose to follow Corot’s path, using the classical style of landscape painting associated with Rome, with a smooth, delicate technique and people and nature in harmony.

Key facts

Details

Full title
River and Hills
Artist dates
1819 - 1916
Date made
about 1850-60
Medium and support
oil on canvas
Dimensions
27.3 × 44.5 cm
Inscription summary
Signed
Acquisition credit
Bequeathed by Hans Velten to the Tate Gallery, 1931; transferred, 1956
Inventory number
NG4582
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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