Henri-Joseph Harpignies, 'River and Hills', about 1850-60
About the work
Overview
A man stands on the winding path beneath the dark, forbidding cliffs. He gazes out across the river, his white cap, coat and backpack lifting the bleakness of the cliffs behind him. High above him, the sun catches a strange construction on the cliff top and crosses the gap between the two halves of the picture, to the mellow glow of the far hillside. On the far bank of the river, poplar trees grow in grey, gravelly soil, their reflections perfect in the still water.
Harpignies met Camille Corot in Rome and became his friend and follower. On his return to France, he put aside the gritty, modernist subjects of the Barbizon artists he had spent some time with. He chose to follow Corot’s path, using the classical style of landscape painting associated with Rome, with a smooth, delicate technique and people and nature in harmony.
Key facts
Details
- Full title
- River and Hills
- Artist
- Henri-Joseph Harpignies
- Artist dates
- 1819 - 1916
- Date made
- about 1850-60
- Medium and support
- oil on canvas
- Dimensions
- 27.3 × 44.5 cm
- Inscription summary
- Signed
- Acquisition credit
- Bequeathed by Hans Velten to the Tate Gallery, 1931; transferred, 1956
- Inventory number
- NG4582
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, with additions and some revisions by Cecil Gould, ‘National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists, etc.’, London 1970; for further information, see the full catalogue entry.
Bibliography
-
1957Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
-
1970Davies, Martin, and Cecil Gould, National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc., London 1970
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
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