Ignace-Henri-Théodore Fantin-Latour, 'Self Portrait', 1860
Key facts
Full title | Self Portrait |
---|---|
Artist | Ignace-Henri-Théodore Fantin-Latour |
Artist dates | 1836 - 1904 |
Date made | 1860 |
Medium and support | Oil on canvas |
Dimensions | 31.4 × 25.4 cm |
Inscription summary | Signed; Dated |
Acquisition credit | On loan from Tate: Bequeathed by Hans Velten 1931 |
Inventory number | L706 |
Location | Not on display |
Image copyright | On loan from Tate: Bequeathed by Hans Velten 1931, © 2000 Tate |
Collection | Main Collection |
Self Portrait
Ignace-Henri-Théodore Fantin-Latour
Fantin-Latour painted a number of self portraits in the years 1854-61 which were characterised by having summary backgrounds or no settings at all. In this example, one edge of an unframed painting is visible on the right, which has been tentatively identified as the portrait of Fantin-Latour's sister Marie (Birmingham City Art Gallery), which was rejected by the jury of the 1859 Salon.
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More paintings by Ignace-Henri-Théodore Fantin-Latour
(Showing 6 of 7 works)
It seems as if these roses have been tossed almost carelessly into the wicker basket – they tumble over the edge and onto the table – but the disarray is artful. The subtle colours – pure white, cream, pale apricot and pink – have been carefully balanced to establish harmony and the heads of the...
Not on display
A single mop-headed rose is caught in an intense beam of clear light, which also glitters down the graceful sweep of the handle of the slender jug placed opposite. Fantin-Latour has left the rest of the picture in semi-darkness, making it difficult to see which of the fruit in the pewter dish are...
On display elsewhere
A profusion of summer flowers has been packed tightly into an almost invisible vase. In the centre and to the right, deep blue delphiniums stand tall above the crowd of blossom, and are mirrored by the larkspur on the left. Pink begonias are tucked in among several varieties of rose, while two da...
Not on display
You've viewed 6 of 7 paintings