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Imitator of Francesco Guardi, 'Venice: Entrance to the Cannaregio', probably 19th century

About the work

Overview

Venetian artists Canaletto and Guardi specialised in view paintings, which were so popular with local and foreign collectors in eighteenth-century Venice that countless imitations were made. These made their way, alongside genuine works by both artists, into art collections throughout Europe. Despite this painting entering the National Gallery’s collection as by Guardi, it is now attributed to a nineteenth-century imitator.

This composition is taken in part from an engraving of 1735 by Visentini (Royal Collection, Windsor), after Canaletto’s painting of the same scene. The unknown artist has altered the view, narrowing the canal, bringing the bridge closer and adding a stone quay occupied by smartly dressed people to the foreground. There has been an attempt to adopt Guardi’s style, with lively brushwork to convey poses and costumes, and hard, dark outlines to describe the buildings.

Key facts

Details

Full title
Venice: Entrance to the Cannaregio
Artist
Imitator of Francesco Guardi
Artist dates
1712 - 1793
Date made
probably 19th century
Medium and support
oil on canvas
Dimensions
36.2 × 53.7 cm
Acquisition credit
Bequeathed by John Henderson, 1879
Inventory number
NG1054
Location
Not on display
Collection
Main Collection
Previous owners

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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