Imitator of Hendrick van Steenwyck the Younger, 'Interior of a Church at Night', 1632
About the work
Overview
It is night-time, and we are looking into the dimly lit apse of a Catholic church. An elaborate metal baptismal font stands on red marble steps in the foreground; the column next to it is a font crane, which supports the font cover. There are still several visitors in the church and the side chapels are brightly lit, although an acolyte is putting out the candles in the chapel on the right.
An inscription on the tombstone in the foreground reads ‘Here lies entombed Henry Steenwyck’, the name of a Flemish painter who specialised in church interiors. As it bears the numbers ‘632’, presumably the last digits of the date 1632, the grave cannot be that of the painter Hendrick Steenwyck the Younger, who died in 1649. The inscription might have been intended as a signature, but the painting’s quality suggests that this is the work of an imitator.
Key facts
Details
- Full title
- Interior of a Church at Night
- Artist
- Imitator of Hendrick van Steenwyck the Younger
- Artist dates
- active by 1604; died 1649
- Date made
- 1632
- Medium and support
- oil on wood
- Dimensions
- 47.1 × 65.7 cm
- Acquisition credit
- Bequeathed by Henry Callcott Brunning, 1907
- Inventory number
- NG2205
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Gregory Martin, ‘National Gallery Catalogues: The Flemish School: circa 1600–circa 1900’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Martin, Gregory, National Gallery Catalogues: The Flemish School, circa 1600 - circa 1900, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.