Italian, Umbrian, 'The Virgin and Child', about 1473
About the work
Overview
Christ stands upright with the support of his mother, the Virgin Mary. He holds a transparent crystal orb and is clutching his semi-transparent drapery, which hangs over one shoulder like a Roman toga. He is intended to look like a miniature Roman emperor, a pose which conveys his spiritual authority even though he’s still an infant.
The small size and the intimate nature of this image of the Virgin gazing lovingly at the infant Christ suggest that it was made for private prayer at home. The frame is ‘engaged’, meaning that it is original and attached to the panel.
Since the painting would have been viewed up close, every detail is painted with delicacy and precision. We can see every petal of the roses strung on the hanging garland that frames the Virgin’s head, and the leaves of the tiny trees in the hazy landscape background are tinted with gold as they catch the early morning light.
Key facts
Details
- Full title
- The Virgin and Child
- Artist
- Italian, Umbrian
- Date made
- about 1473
- Medium and support
- egg tempera on wood
- Dimensions
- 48.3 × 36.8 cm
- Acquisition credit
- Salting Bequest, 1910
- Inventory number
- NG2483
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Exhibition history
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2014Perugino: Master of RaphaelMusée Jacquemart-André12 September 2014 - 19 January 2015
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2019Andrea del VerrocchioPalazzo Strozzi8 March 2019 - 14 July 2019
Bibliography
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1903J.C. Graham, The Problem of Fiorenzo di Lorenzo of Perugia, Perugia 1903
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1904S. Weber, Fiorenzo di Lorenzo, Eine Kunsthistorische Studie, Strasbourg 1904
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1910R. Fry, 'The Umbrian Exhibition at the Burlington Fine Arts Club', The Burlington Magazine, XVI/83, 1910, pp. 267-74
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1910C. Phillips, 'The Salting Collection, II: The Italian Pictures', The Burlington Magazine, XVII/85, 1910, pp. 9-22
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1912W. Bombe, Geschichte der Peruginer Malerei, Berlin 1912
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1923U. Gnoli, Pittori e miniatori nell'Umbria, Spoleto 1923
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1923R. van Marle, The Development of the Italian Schools of Painting, 19 vols, The Hague 1923
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1925E. Liphart, 'Une Madone de Fiorenzo di Lorenzo', Gazette des beaux-arts, XII, 1925, pp. 358-60
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1926V. Lasareff, 'A Newly Discovered Fiorenzo di Lorenzo', The Burlington Magazine, I, 1926, pp. 219-24
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1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
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1953F. Zeri, 'Il maestro dell'Annunciazione Gardner', Bollettino d'arte, XXXVIII, 1953, pp. 125-39
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1961M. Davies, The Earlier Italian Schools, 2nd edn, London 1961
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1971R. Dubos, Giovanni Santi: Peintre et chroniqueur à Urbin au XVe siècle, Bordeaux 1971
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1977M. Laclotte and E. Mogneti, Avignon: Musée du Petit Palais: Peinture italienne, Paris 1977
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1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
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1987F. Zeri, La pittura in Italia: Il Quattrocento, Milan 1987
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1989F. Todini, La pittura umbra: Al Duecento al primo Cinquecento, Milan 1989
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.