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Jacometto, 'Portrait of a Man', probably about 1475-98

About the work

Overview

Not many portraits by Jacometto survive but the National Gallery has two, including this one. The man’s costume tells us that he is a Venetian citizen. He’s painted in a style fashionable in late fifteenth-century Venice, which derives from Netherlandish painting: the three-quarter pose was new and popular, as were the strong lighting and the dark background, which his head and body seem to emerge from.

The portrait’s reverse is painted with a pair of delicate golden laurel sprigs tied with a ribbon. A Latin text in between reads: FELICES TER ET AMPLIVS/QVOS/IRRVPTA TENET COPVLA (‘Thrice happy and more are those bound together’). The laurel symbolised eternity so it’s possible that the portrait’s message relates to marriage.

Jacometto made several portraits with painted reverses – a trend that also came from Netherlandish painting. Reverses usually included mottos, heraldry and symbols.

Key facts

Details

Full title
Portrait of a Man
Artist
Jacometto
Artist dates
active about 1472; died before 1498
Date made
probably about 1475-98
Medium and support
egg tempera and oil on wood
Dimensions
26 × 19 cm
Inscription summary
Inscribed
Acquisition credit
Layard Bequest, 1916
Inventory number
NG3121
Location
Not on display
Collection
Main Collection
Previous owners

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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