Jan van Eyck, 'Portrait of a Man ('Léal Souvenir')', 1432
About the work
Overview
This small portrait is puzzling in many ways. We don‘t know who this man was or why he is holding a scroll, which is – rather strangely – inscribed on the outside. The painting’s tall, narrow shape is unusual and there are mysterious inscriptions carved into the very large, cracked stone parapet which runs across the front.
At the bottom is van Eyck’s signature in Latin, and the date of 10 October 1432. Above this are large capitals apparently carved into the stone: LEAL SOVVENIR (’Loyal Remembrance‘ in French). At the top is a small Latin inscription written in Greek letters: TUM OTHEOS (’then God'). What this means is unclear.
It is possible that it was painted after the sitter’s death, in which case the crumbling parapet might be an allusion to man’s mortality. His name might have been on the lost frame.
Key facts
Details
- Full title
- Portrait of a Man ('Léal Souvenir')
- Artist
- Jan van Eyck
- Artist dates
- active 1422; died 1441
- Date made
- 1432
- Medium and support
- oil on wood
- Dimensions
- 33.3 × 18.9 cm
- Inscription summary
- Signed; Dated and inscribed
- Acquisition credit
- Bought, 1857
- Inventory number
- NG290
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 21st-century Replica Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Lorne Campbell, ‘National Gallery Catalogues: The Fifteenth Century Netherlandish Schools’, London 1998; for further information, see the full catalogue entry.
Exhibition history
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2008Renaissance Faces: Van Eyck to TitianThe National Gallery (London)15 October 2008 - 18 January 2009
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2020Van Eyck. An Optical RevolutionMuseum voor Schone Kunsten Gent1 February 2020 - 3 May 2020
Bibliography
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1941G. Münzel, 'Zu dem Bilde des sogenannten Tymotheos von Jan van Eyck', Zeitschrift für Kunstgeschichte, X/4-5, 1941, pp. 188-91
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1945Davies, Martin, National Gallery Catalogues: Early Netherlandish School, London 1945
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1949E. Panofsky, 'Who is Jan van Eyck's "Tymotheos"?', Journal of the Warburg and Courtauld Institutes, XII, 1949, pp. 80-90
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1953M. Davies, The National Gallery, London, Les Primitifs flamands. I, Corpus de la peinture des anciens Pay-Bas méridionaux au quinzième siècle 3, 2 vols, Antwerp 1953
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1953E. Panofsky, Early Netherlandish Painting: Its Origins and Character, Cambridge 1953
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1955Davies, Martin, National Gallery Catalogues: Early Netherlandish School, 2nd edn (revised), London 1955
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1955M.W. Brockwell, 'Who Was Tymotheos?', The Connoisseur, CXXXVI, 1955, pp. 12-4
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1967M.J. Friedländer, Early Netherlandish Painting, eds N. Veronée-Verhaegen and H. Pauwels, trans. H. Norden, 14 vols, Leiden 1967
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1978W. Wood, 'A New Identification of the Sitter in Jan van Eyck's Tymotheus Portrait', Art Bulletin, LX/4, 1978, pp. 650-4
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1984E. Lovinsky, 'Jan van Eyck's Tymotheos: Sculptor or Musician? With an Investigation of the Autobiographic Strain in French Poetry from Rutebeuf to Villon', Studi musicali, XIII, 1984, pp. 33-105
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1987Davies, Martin, National Gallery Catalogues: The Early Netherlandish School, 3rd edn, London 1987
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1987M. Fruhstorfer, 'Fiktionssprünge in van Eycks Bildnis des sogenannten Timotheos', Oud Holland, CI/4, 1987, pp. 277-9
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1988E.J. Mundy, 'Porphyry and the Posthumous Fifteenth-Century Portrait', Pantheon, XLVI, 1988, pp. 37-43
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1989D. Jansen, 'Jan van Eycks Selbstbildnis - der "Mann mit dem roten Turban" und der sogenannte "Tymotheos" der Londoner National Gallery', Pantheon, XLII, 1989, pp. 36-48
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1995J. Paviot, 'The Sitter for Jan van Eyck's "Leal Sovvenir"', Journal of the Warburg and Courtauld Institutes, LVIII, 1995, pp. 210-5
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1998Campbell, Lorne, National Gallery Catalogues: The Fifteenth Century Netherlandish Paintings, London 1998
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2004P. Nuttall, From Flanders to Florence: The Impact of Netherlandish Painting, 1400-1500, New Haven 2004
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2008L. Syson et al., Renaissance Faces: Van Eyck to Titian (exh. cat. The National Gallery, 15 October 2008 - 16 January 2009), London 2008
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.