Jan Wijnants, 'A Landscape with a Dead Tree', 1659
About the work
Overview
Jan Wijnants was from Haarlem, which lies in the narrow corridor of land between Amsterdam and the sea. He specialised in depicting the landscapes around the town, which were formed largely of sand blown inland from the North Sea beaches and into a series of sometimes spectacularly high dunes. So while this might look like a rocky landscape with a range of hills or mountains that catch the sunlight on the horizon, they are, in fact, ancient sand hills, now overgrown.
No specific location can be identified as a model for this painting, and – like many landscapes of the time – it probably represents an idealised rather than real view. The figures and animals are an important addition, helping the viewer to establish a sense of scale and depth, and also adding interest and dynamism to the scene. They were not painted by Wijnants but by a collaborator, the specialist figure painter Jan Lingelbach.
Key facts
Details
- Full title
- A Landscape with a Dead Tree, and a Peasant driving Oxen and Sheep along a Road
- Artist
- Jan Wijnants
- Artist dates
- active 1643; died 1684
- Date made
- 1659
- Medium and support
- oil on canvas
- Dimensions
- 80 × 99.4 cm
- Inscription summary
- Signed; Dated
- Acquisition credit
- Bought, 1871
- Inventory number
- NG883
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Exhibition history
-
2012The Comte de Vaudreuil: Courtier and CollectorThe National Gallery (London)7 March 2012 - 12 June 2012
Bibliography
-
1830
J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters: In Which is Included a Short Biographical Notice of the Artists, with a Copious Description of Their Principal Pictures […], vol. 2, London 1830
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1844A.M. Jameson, Companion to the Most Celebrated Private Galleries of Art in London: Containing Accurate Catalogues, Arranged Alphabetically, for Immediate Reference, Each Preceded by an Historical & Critical Introduction […], London 1844
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1907C. Hofstede de Groot, Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, 10 vols, London 1907
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1911H. Mireur, Dictionnaire des ventes d'art faites en France et à l'étranger pendant les XVIIIème et XIXème siècles, 7 vols, Paris 1911
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1960Maclaren, Neil, National Gallery Catalogues: The Dutch School, 2 vols, London 1960
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1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
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1995R. Verbraeken, La peinture de paysage en Hollande au XVII siècle, Paris 1995
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1996J. Edwards, Alexandre-Joseph Paillet: Expert et marchand de tableaux à la fin du XVIIIe siècle, Paris 1996
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.