Jean-François de Troy, 'Jason swearing Eternal Affection to Medea', 1742-3
About the work
Overview
This is the first of the series of seven illustrations of the story of Jason made by Jean-François de Troy as sketches for cartoons for the Gobelins tapestry works in Paris. The Gallery owns another sketch from the same series: The Capture of the Golden Fleece.
According to the Roman poet Ovid’s Metamorphoses (Book VII), Jason was sent to steal the Golden Fleece from Colchis on the Black Sea. He was aided by the sorceress Medea, daughter of the king of Colchis, whom he married but later deserted.
Here we see Jason and Medea deep in the woods at the altar of Hecate, a goddess associated with the moon and witchcraft. He grasps Medea’s hand and asks her to help him to capture the Golden Fleece, promising to marry her in return. Cupid shoots an arrow which is directed by Hymen, god of marriage, towards Jason’s heart. Jason swears to be true and Medea, believing him, gives him magic herbs for his protection.
Key facts
Details
- Full title
- Jason swearing Eternal Affection to Medea
- Artist
- Jean-François de Troy
- Artist dates
- 1679 - 1752
- Part of the series
- Sketches for the Story of Jason
- Date made
- 1742-3
- Medium and support
- oil on canvas
- Dimensions
- 56.5 × 52.1 cm
- Acquisition credit
- Bequeathed by Francis Falconer Madan, 1962
- Inventory number
- NG6330
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Humphrey Wine, ‘National Gallery Catalogues: The Eighteenth Century French Paintings’, London 2018; for further information, see the full catalogue entry.
Bibliography
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1748Anon, Observations sur les arts, et sur quelques morceaux de peinture et de sculpture, exposés au Louvre en 1748, Paris 1748
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1748L.G. Baillet de St. Julien, Reflexions sur quelques circonstances presentes. contenant deux lettres sur l'exposition des tableaux au Louvre cette année 1748 a M. le comte de R***, Paris 1748
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1749Anon, Lettre sur la peinture, la sculpture et l'architecture, A M*** Seconde édition… & de réflexions sur les tableaux de M. de Troy, Amsterdam 1749
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1776L.A. de Bonafons and abbé de Fontenai, Dictionnaire des artistes, Paris 1776
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1853P.J. Mariette, Abecedario de P.J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes […] annoté par MM. Ph. de Chennevières et A. de Montaiglon, vol. 2, eds P. de Chennevières and A. de Montaiglon, Paris 1853
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1854Chevalier de Valory, 'Vie de Jean-François Detroy', in Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture, Paris 1854, vol. 2
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1856G.H. Lewes, The Life and Works of Goethe, Boston 1856
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1900F. Engerand, Inventaire des tableaux commandés et achetés par la direction des bâtiments du roi, 1702-92, Paris 1900
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1907M. Fenaille, État général des tapisseries de la manufacture des Gobelins, vol. 4, Paris 1907
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1909P.M. Turner and C.H.C. Baker, Stories of French Artists, London 1909
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1916C. Phillips, 'Jean-François de Troy', The Burlington Magazine, XXIX/162, 1916, pp. 231-41
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1930L. Dimier, Les Peintres français du XVIIIe siècle, Paris 1930
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1962The National Gallery, The National Gallery: January 1960 - May 1962, London 1962
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1963National Gallery, Acquisitions 1953-62, National Gallery Catalogues, London 1963
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1964J. Thuillier and A. Châtelet, French Painting from Le Nain to Fragonard, Geneva 1964
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1965E. Young, 'Some Pellegrini Sketches and Their Chronology', Apollo, LXXXII/42, 1965, pp. 104-11
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1978J. Locquin, La peinture d'histoire en France de 1747 à 1785, Paris 1978
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1985M. Wilson, French Paintings before 1800, London 1985
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1985J. Mills and R. White, 'Analyses of Paint Media', National Gallery Technical Bulletin, IX, 1985, pp. 70-1
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1985National Gallery, 'Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1984 - December 1984', National Gallery Technical Bulletin, IX, 1985
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1988N. MacGregor, A. Smith and M. Wyld, 'Recent Acquisitions at the National Gallery, London: Supplement', The Burlington Magazine, CXXX/1024, 1988, pp. 569-76
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1993M. Levey, Painting and Sculpture in France 1700-1789, New Haven 1993
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1994G. Sestieri, Repertorio della pittura romana della fine del Seicento e del Settecento, Turin 1994
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2002C. Leribault, Jean-François de Troy (1679-1752), Paris 2002
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2018Wine, Humphrey, National Gallery Catalogues: The Eighteenth Century French Paintings, London 2018
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Sketches for the Story of Jason
Overview
Jason swearing Eternal Affection to Medea and The Capture of the Golden Fleece are two of a series of seven illustrations of the story of Jason. Based on episodes in the Roman poet Ovid’s Metamorphoses, they were made as sketches for cartoons for the Gobelins tapestry works in Paris.
The illustrations were commissioned on behalf of the king of France in 1742. The sketches were finished by 15 February 1743 and the full-size painted cartoons were completed by the end of August 1746. They arrived in Paris in September 1748 and weaving began at the Gobelins works the following year. No less than eight complete sets of tapestries were made, including one which was hung in the king’s room and throne room in the palace of Versailles. Another of the tapestry sets is now in the Victoria and Albert Museum, London.