Skip to main content

Marco d'Oggiono, 'The Virgin and Child', probably about 1520

About the work

Overview

The Virgin Mary is seated on the ground in a rocky landscape with the Christ Child on her knee. He reaches out for the flower that his mother has just picked.

D‘Oggiono trained in Leonardo da Vinci’s workshop and both the style and composition of this painting seem to reflect models he had learned during his youth. He is clearly trying to imitate Leonardo’s famous sfumato (’smoky’) technique – blurring the outlines of a form – and his palette is softer than in earlier works, such as Portrait of a Man aged 20 (also in the National Gallery). D'Oggiono never mastered anatomy or expression, however: Christ’s hands are podgy and boneless, and he looks somewhat vapid.

Key facts

Details

Full title
The Virgin and Child
Artist dates
documented from 1487; died 1524
Date made
probably about 1520
Medium and support
oil on wood
Dimensions
66.7 × 53.3 cm
Acquisition credit
Bought, 1883
Inventory number
NG1149
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images