Meindert Hobbema, 'A Woody Landscape', about 1665
About the work
Overview
Hobbema specialised in landscapes which present a positive, even idealised, evocation of carefree country life, where the trees are always heavy with summer leaf, the tracks are dry and there is only a gentle breeze in the air.
This didn’t necessarily reflect day-to-day realities. Woodland of this kind was not a backdrop to an idyllic pastoral life, but an important economic resource, a place to graze animals and harvest timber. Yet the figures we see in this landscape are not hard at work trying to make a living – they are going about life in a very relaxed fashion. A fisherman sits quietly on the bank; a woman stands idly in the cottage doorway, while others stroll along the track.
Though the overwhelming atmosphere is one of a peaceful summer’s day, there are subtle hints of nature’s destructive side. The tree stump in the foreground has obviously been fractured only recently, presumably by strong winds.
Key facts
Details
- Full title
- A Woody Landscape
- Artist
- Meindert Hobbema
- Artist dates
- 1638 - 1709
- Date made
- about 1665
- Medium and support
- oil on wood
- Dimensions
- 60.4 × 84.3 cm
- Inscription summary
- Signed
- Acquisition credit
- Bought, 1862
- Inventory number
- NG685
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Bibliography
-
1960Maclaren, Neil, National Gallery Catalogues: The Dutch School, 2 vols, London 1960
-
1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.