Neapolitan follower of Giotto, 'The Dead Christ and the Virgin', probably 1330s-40s
About the work
Overview
The Virgin, face partly obscured by her vast blue cloak, places a hand on her son’s bloody wound. He is shown upright, after his crucifixion. The image of Christ displaying his wounds after death was popular in the late Middle Ages as a focus for meditation upon his suffering. The spear used to pierce his side is painted on the back of the panel, along with other tools of the Crucifixion, including a hammer and nails.
The panel was originally the left half of a pair of images hinged together, or possibly part of a triptych (an object made up of three panels). The other part shows Saint John the Evangelist and Mary Magdalene looking towards Christ in grief (Metropolitan Museum of Art, New York).
The artist probably belonged to one of the Florentine painter Giotto’s workshops in Naples. This might have been made for Sancia, wife of the city’s ruler Robert of Anjou, whose particular focus for prayer was the body of Christ.
Key facts
Details
- Full title
- The Dead Christ and the Virgin
- Artist
- Neapolitan follower of Giotto
- Artist dates
- about 1267 or 1276; died 1337
- Date made
- probably 1330s-40s
- Medium and support
- egg tempera on wood
- Dimensions
- 60 × 42.3 cm
- Acquisition credit
- Presented by Henry Wagner, 1924
- Inventory number
- NG3895
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Dillian Gordon, ‘National Gallery Catalogues: The Italian Paintings before 1400’, London 2011; for further information, see the full catalogue entry.
Exhibition history
-
2011Devotion by Design: Italian Altarpieces before 1500The National Gallery (London)6 July 2011 - 2 October 2011
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2013Giotto e compagniMusée du Louvre17 April 2013 - 15 July 2013
Bibliography
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1915T. Borenius, 'A Little-Known Collection at Oxford - I', The Burlington Magazine, XXVII/145, 1915, pp. 21-7
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1925E. Hutton, The Sienese School in the National Gallery, London 1925
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1925National Gallery, National Gallery, Trafalgar Square: Catalogue, London 1925
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1927E. Panofsky, '"Imago pietatis": Ein Beitrag zur Typengeschichte des "Schmerzenmanns" und der "Maria Mediatrix"', in P.O. Kristeller (ed.), Festschrift für M. J. Friedländer, Leipzig 1927, pp. 261-308
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1928R. Lehman, The Philip Lehman Collection, New York: Paintings, Paris 1928
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1928H.D. Gronau, 'Notes on Trecento Painting', The Burlington Magazine, LIII/305, 1928, pp. 78-81
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1931L. Venturi, Pitture italiane in America, Florence 1931
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1931G.M. Richter, 'Review: L. Venturi, Pitture Italiane in America, 1931', The Burlington Magazine, LIX/344, 1931, pp. 250-1
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1932B. Berenson, Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places, Oxford 1932
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1936B. Berenson, Pitture italiane del Rinascimento: Catalogo dei principali artisti e delle loro opere con un indice dei luoghi, Milan 1936
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1939S. Ameisenowa, 'Opere inedite del Maestro del codice di San Giorgio', Rivista d'arte, II, 1939, pp. 118-9
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1942L. Coletti, 'Contributo al problema Maso-Giottino', Emporium, XLVI/575, 1942, pp. 461-78
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1946Davies, Martin, National Gallery Catalogues: British School, London 1946
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1946M. Meiss, 'Italian Primitives at Konopišt', Art Bulletin, XXVIII, 1946, pp. 8-11
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1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
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1969F. Bologna, I pittori alla corte Angioina di Napoli, 1266–1414, Rome 1969
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1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
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1986E. Castelnuovo (ed.), La pittura in Italia: Il Duecento e il Trecento, Milan 1986
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1987J. Pope-Hennessy, The Robert Lehman Collection, 1: Italian Paintings, New York 1987
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1988Gordon, Dillian, National Gallery Catalogues: The Early Italian Schools before 1400, revised edn, London 1988
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1991J. Dunkerton et al., Giotto to Dürer: Early Renaissance Painting in the National Gallery, New Haven 1991
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1996P.L. de Castris, 'Roberto d'Oderisi', in J. Turner (ed.), The Dictionary of Art, London 1996, vol. 23, pp. 350-2
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2011Gordon, Dillian, National Gallery Catalogues: The Italian Paintings before 1400, London 2011
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.