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Neapolitan follower of Giotto, 'The Dead Christ and the Virgin', probably 1330s-40s

About the work

Overview

The Virgin, face partly obscured by her vast blue cloak, places a hand on her son’s bloody wound. He is shown upright, after his crucifixion. The image of Christ displaying his wounds after death was popular in the late Middle Ages as a focus for meditation upon his suffering. The spear used to pierce his side is painted on the back of the panel, along with other tools of the Crucifixion, including a hammer and nails.

The panel was originally the left half of a pair of images hinged together, or possibly part of a triptych (an object made up of three panels). The other part shows Saint John the Evangelist and Mary Magdalene looking towards Christ in grief (Metropolitan Museum of Art, New York).

The artist probably belonged to one of the Florentine painter Giotto’s workshops in Naples. This might have been made for Sancia, wife of the city’s ruler Robert of Anjou, whose particular focus for prayer was the body of Christ.

Key facts

Details

Full title
The Dead Christ and the Virgin
Artist
Neapolitan follower of Giotto
Artist dates
about 1267 or 1276; died 1337
Date made
probably 1330s-40s
Medium and support
egg tempera on wood
Dimensions
60 × 42.3 cm
Acquisition credit
Presented by Henry Wagner, 1924
Inventory number
NG3895
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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