Orazio Gentileschi, 'The Finding of Moses', early 1630s
About the work
Overview
In this vast canvas Orazio Gentileschi depicts the Old Testament story of the Finding of Moses (Exodus 2:2-10). When Pharaoh decreed that all newborn sons of Hebrews should be killed, the infant Moses was placed by his mother in a basket and hidden in bulrushes to ensure his safety.
Here, nine elegant female figures crowd around the basket at the heart of the composition. The woman in the magnificent yellow gown embellished with jewels is Pharaoh’s daughter. The diminutive figure kneeling respectfully at lower left is Moses’s sister Miriam, and beside her, dressed in red and white, is her mother.
The Finding of Moses was commissioned by Charles I of England for his wife, Queen Henrietta Maria, almost certainly to celebrate the birth of their son and heir, the future Charles II. It originally hung in the Queen’s House at Greenwich, on the banks of the River Thames. This location is reflected in the lush green landscape, which looks far more like England than Egypt where the story is set.
Key facts
Details
- Full title
- The Finding of Moses
- Artist
- Orazio Gentileschi
- Artist dates
- 1563 - 1639
- Date made
- early 1630s
- Medium and support
- oil on canvas
- Dimensions
- 257 × 301 cm
- Acquisition credit
- Bought with the support of the American Friends of the National Gallery, the National Gallery Trust, the National Heritage Memorial Fund, Art Fund (through the legacy of Sir Denis Mahon and with a contribution from the Wolfson Foundation), The Maurice Wohl Charitable Foundation, The Deborah Loeb Brice Foundation, The Capricorn Foundation, The Manny and Brigitta Davidson Charitable Foundation, Alejandro and Charlotte Santo Domingo, Beatrice Santo Domingo, The Wei Family and other donors, and through public appeal and bequests, 2020
- Inventory number
- NG6684
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 19th-century English Frame
Provenance
Additional information
Text extracted from the National Gallery’s Annual Report, ‘The National Gallery: Review of the Year, April 2019 – March 2020’.
Exhibition history
-
2018Charles I: King and CollectorRoyal Academy of Arts27 January 2018 - 15 April 2018
Bibliography
-
2020National Gallery, The National Gallery: Review of the Year, April 2019 - March 2020, London 2020
-
2022S. Avery-Quash and A. Lepine (eds), Fruits of the Spirit: Art from the Heart, London 2022
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.