Philips Koninck, 'An Extensive Landscape with a Town', about 1665-8
About the work
Overview
Philips Koninck, who is said to have been a pupil of Rembrandt, is known for his panoramic landscapes in which a road or a stream leads the eye into the far distance. This vast landscape seems strange and rather eerie under grey, lowering clouds.
Although there’s no sun, a lone woman shields her eyes to peer into the foliage at the roadside, as if she’s looking for something. The path she stands on seems to turn sharply to the right, and gets lost in the trees – there’s no visible way through the woods in the direction she’s looking. Behind her, sheep and cows seem to hesitate; some look back at the man and the child behind them, who seem to hesitate too.
It’s unlikely that Koninck had a particular story in mind, although he has given the figures character so that they seem to have a tale to tell. He has left it to the viewer to decide what that is.
Key facts
Details
- Full title
- An Extensive Landscape with a Town in the Middle Distance
- Artist
- Philips Koninck
- Artist dates
- 1619 - 1688
- Date made
- about 1665-8
- Medium and support
- oil on canvas
- Dimensions
- 43.7 × 53.5 cm
- Inscription summary
- Signed
- Acquisition credit
- Presented by the Misses Rachel F. and Jean I. Alexander; entered the Collection, 1972
- Inventory number
- NG6408
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Bibliography
-
1973The National Gallery, The National Gallery: January 1971 - December 1972, London 1973
-
1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.