Probably by Bernardino da Asola, 'The Adoration of the Shepherds', probably 1525-30
About the work
Overview
The Virgin Mary and Saint Joseph kneel with the shepherds in adoration before the sleeping Christ Child. One shepherd carries a set of bagpipes, the other has a simple flask and bag tied at his waist. Their earthy facial features appear to be related to examples from northern European art. The distant shepherd watching his flock may represent the Annunciation to the Shepherds.
The lamb held by the infant Saint John the Baptist symbolises Christ, who will be sacrificed on the Cross for the salvation of mankind. The procession crossing the river in the distance and the approaching riders are perhaps the Three Kings arriving to pay homage to Christ.
This is one of three similar pictures of the Adoration of the Shepherds which appear to be by the same artist. The composition relates to early works by Titian and details of the landscape are similar to other works attributed to Bernardino da Asola.
Key facts
Details
- Full title
- The Adoration of the Shepherds
- Artist
- Probably by Bernardino da Asola
- Artist dates
- active about 1525 - 50
- Date made
- probably 1525-30
- Medium and support
- oil on canvas
- Dimensions
- 109.2 × 160.6 cm
- Acquisition credit
- Bequeathed by Sir William H. Gregory, 1892
- Inventory number
- NG1377
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
-
1959Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Venetian School, London 1959
-
1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.