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Fra Angelico, 'Christ Glorified in the Court of Heaven', about 1423-4

About the work

Overview

Christ, hovering on wispy clouds, is surrounded by angels who sing, dance and play musical instruments. He is shown triumphant over death: his red and white flag was associated with his resurrection; the wound in his right hand, caused when he was crucified, is a reminder of his physical suffering. The artist has incised the gold leaf around him with radiating lines to show that he gives out a golden light.

This is the central panel of the predella (lowest part) of an altarpiece made by Fra Angelico, a painter and friar, for his own convent church of San Domenico in Fiesole, a town just outside Florence. The main part of the altarpiece is still in Fiesole but the predella is now in the National Gallery. It is unusual: it shows Christ in glory surrounded by saints and angels, rather than narrative scenes of the lives of the saints.

Key facts

Details

Full title
Christ Glorified in the Court of Heaven: Central Predella Panel
Artist
Fra Angelico
Artist dates
active 1417; died 1455
Part of the series
Fiesole San Domenico Altarpiece
Date made
about 1423-4
Medium and support
egg tempera on wood
Dimensions
31.7 × 73 cm
Acquisition credit
Bought, 1860
Inventory number
NG663.1
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: Fiesole San Domenico Altarpiece

Overview

These panels come from the predella (lowest part) of the altarpiece made for the high altar of San Domenico, Fiesole. Fra Angelico was a Dominican friar (a member of the religious order founded by Saint Dominic) as well as a painter. The church was attached to his own convent – so although he made two other altarpieces for it, he was not paid for his work.

Predellas usually showed narrative scenes of the lives of the saints who were depicted in the main part of the altarpiece. This one is unusual: it shows Christ in glory in heaven, surrounded in the central scene by angels. This is framed by two panels showing rows of saints and Old Testament figures. These in turn are enclosed on either side by Dominican ‘Blessed’ figures who were holy and revered but not saints.

The mass of saints includes Dominicans and reflects their interest in the saints of their order and the place of the Dominicans in the broader church.

Works in the series

Christ, hovering on wispy clouds, is surrounded by angels who sing, dance and play musical instruments. He is shown triumphant over death: his red and white flag was associated with his resurrection; the wound in his right hand, caused when he was crucified, is a reminder of his physical sufferin...
Not on display
This panel comes from the predella (the lowest part) of an altarpiece made for the church of San Domenico, Fiesole, near Florence. Its saints face right toward the central panel, which shows Christ in glory after his resurrection from the dead.The Virgin kneels at the head of the top row of saint...
Not on display
This panel comes from the predella (the lowest part) of an altarpiece made for the church of San Domenico, Fiesole, near Florence. Its figures look towards the central panel, which shows Christ resurrected from the dead.Lined up in neat rows are – from top to bottom – 21 biblical figures regarded...
Not on display
The Dominican Blessed, both friars and nuns, dressed in the distinctive black and white habits of the Dominican Order, are neatly lined up in rows. The Blessed were holy figures belonging to the Order (founded by Saint Dominic in 1215) who were venerated locally after death. Some, like Vincent Fe...
Not on display
This panel shows the Dominican Blessed, both tertiaries (those who lived in general society rather than a convent, but were allied to the Dominican Order) and friars. They're dressed in their distinctive black and white habits, neatly lined up in rows.The Blessed were holy figures belonging to th...
Not on display
We can piece together who this saint is: his mitre (hat) and crosier (crook) identify him as a bishop, and a faint inscription in white paint to his right reads ‘OL VS’. The inscription on the left probably read ‘ROM’, identifying him when both sides were put together as Romulus.This seems likely...
Not on display