Sassoferrato, 'The Virgin and Child Embracing', 1660-85
About the work
Overview
The infant Christ stands on the lap of the Virgin Mary, reaching forward to give her a kiss. She turns her cheek to receive her son’s embrace, supporting him as he seems to be a little unsteady on his feet. Strong lighting emphasises the smooth, pale skin of both figures as well as Christ’s golden hair, though it leaves much of his face in shadow. Sassoferrato has given great attention to the folds of drapery, both in the Virgin’s blue cloak and in the deep green curtain behind the two figures. Through an archway, we see Saint Joseph coming towards the house and, behind him, a view of distant mountains.
This composition is based on an etching by the seventeenth-century painter Guido Reni. Sassoferrato was influenced by Reni, as well as by earlier artists such as Raphael and Perugino, both of whom adopted a similarly smooth finish.
Key facts
Details
- Full title
- The Virgin and Child Embracing
- Artist
- Sassoferrato
- Artist dates
- 1609 - 1685
- Date made
- 1660-85
- Medium and support
- oil on canvas
- Dimensions
- 97.2 × 74 cm
- Acquisition credit
- Bought, 1864
- Inventory number
- NG740
- Location
- Room 32
- Collection
- Main Collection
- Frame
- 17th-century Italian Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry.
Exhibition history
-
2017Loan to Apsley House (2017)Apsley House (English Heritage)21 March 2017 - 6 October 2017
Bibliography
-
1986Levey, Michael, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.