Sodoma, 'The Madonna and Child with Saints and a Donor', probably about 1525-35
About the work
Overview
This little painting for private devotion was almost certainly painted for the Olivetan monk who is being presented to the Virgin Mary and infant Christ by Saint Peter. Saint Catherine of Siena stands on the Virgin’s left. The two little keys hanging just below the monk’s elbow are cleverly echoed in the larger keys to heaven held by Saint Peter and may refer to a particular responsibility enjoyed by the monk. Traditionally, Olivetan monks carry keys to the monastery with them at all times.
The Virgin and Child are larger in this painting than the saints to either side of them and recall types from altarpieces by the fourteenth-century Sienese painters Duccio (1255–1319) and Simone Martini (1284–1344).
This picture is a good example of what made Sodoma so successful in Siena: his skilful blending of the traditions of the city’s past with his own free handling of paint and atmospheric effects and lighting derived from Leonardo.
Key facts
Details
- Full title
- The Madonna and Child with Saints Peter and Catherine of Siena and a Carthusian Donor
- Artist
- Sodoma
- Artist dates
- 1477 - 1549
- Date made
- probably about 1525-35
- Medium and support
- oil on wood
- Dimensions
- 48.9 × 37.8 cm
- Acquisition credit
- Bought, 1883
- Inventory number
- NG1144
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
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1838G. Rosini, Introduzione alla storia della pittura italiana, 9 vols, Pisa 1838
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1884National Gallery, Abridged Catalogue of the Pictures in the National Gallery: With Short Biographical Notices of the Painters: Foreign Schools, London 1884
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1884London, National Gallery Archive, NG17/4: Annual Report of the National Gallery for 1883: Pictures Purchased During the Year 1883, 1884
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1906R.H.H. Cust, Giovanni Antonio Bazzi, London 1906
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1911A. Manghi, La Certosa di Pisa, Pisa 1911
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1932B. Berenson, Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places, Oxford 1932
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1936B. Berenson, Pitture italiane del Rinascimento: Catalogo dei principali artisti e delle loro opere con un indice dei luoghi, Milan 1936
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1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1975C. Gould, Delaroche and Gautier: Gautier's Views on the 'Execution of Lady Jane Grey' and on other Compositions by Delaroche, London 1975
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
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1988F. Sricchia Santoro, Da Sodoma a Marco: Pittori a Siena nella prima metà del Cinquecento, Florence 1988
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1996R. Bartalini, Le occasioni del Sodoma: Dalla Milano di Leonardo alla Roma di Raffaello, Rome 1996
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1996'Sodoma', in J. Turner (ed.), The Dictionary of Art, London 1996, vol. 29, pp. 1-4
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2007L. Syson et al., Renaissance Siena: Art for a City (exh. cat. The National Gallery, 24 October 2007 - 13 January 2008), London 2007
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.