Style of Adriaen Brouwer, 'Four Peasants in a Cellar', probably 1630s
About the work
Overview
Adriaen Brouwer worked in Antwerp from 1631. This painting used to be attributed to him, but is now believed to be by another, somewhat clumsier hand – perhaps one of his apprentices imitating his style. The picture is similar to those usually depicted by Brouwer: humorous everyday scenes of peasants drinking or, sometimes, brawling, such as Tavern Scene (also in the National Gallery’s collection).
In this example, however, the artist has set up a clear contrast between the three peasants lounging in the foreground – one asleep, one drinking, one smoking – and the vignette we can see through the open door. Here, three men are working hard, hoisting a heavy bale which is attached to a pulley suspended outside a house. The fourth peasant referred to in the title is hard to see, but appears to be a woman bent over her work in the shadows on the right.
Key facts
Details
- Full title
- Four Peasants in a Cellar
- Artist
- Style of Adriaen Brouwer
- Artist dates
- 1606? - 1638
- Date made
- probably 1630s
- Medium and support
- oil on wood
- Dimensions
- 27.7 × 22 cm
- Acquisition credit
- Salting Bequest, 1910
- Inventory number
- NG2569
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Gregory Martin, ‘National Gallery Catalogues: The Flemish School: circa 1600–circa 1900’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Martin, Gregory, National Gallery Catalogues: The Flemish School, circa 1600 - circa 1900, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.