Titian, 'Portrait of Girolamo Fracastoro', about 1528
About the work
Overview
Girolamo Fracastoro (1476/8–1553), a celebrated medical doctor, as well as an astronomer, mathematician and poet, proposed the theory of contagion and in 1530 wrote an epic poem that gave the name ’syphilis' to the virulent, sexually transmitted disease that was ravaging Italy in that period.
Although the painting is damaged and most of the modelling of the black parts of the coat has been lost, Titian’s touch seems especially apparent in the painting of the lynx fur collar. The thick broken brushstrokes down the brightly lit left edge of the fur remain remarkably fresh, as do the fine lines scratched into the white paint of the fur tufts trapped in the seams of the sleeve.
The sitter’s dynamic pose, turning to look at us over his shoulder with his arm resting on a parapet, is reminiscent of Titian’s Portrait of Gerolamo (?) Barbarigo of about 1510, also in the National Gallery.
Key facts
Details
- Full title
- Portrait of Girolamo Fracastoro
- Artist
- Titian
- Artist dates
- active about 1506; died 1576
- Date made
- about 1528
- Medium and support
- oil on canvas
- Dimensions
- 84 × 73.5 cm
- Acquisition credit
- Mond Bequest, 1924
- Inventory number
- NG3949
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
-
1959Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Venetian School, London 1959
-
1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.