Workshop of Albert Cornelis, 'The Virgin and Child with Saint Anne', possibly about 1520
Full title | The Virgin and Child with Saint Anne |
---|---|
Artist | Workshop of Albert Cornelis |
Artist dates | active 1512; died 1531 |
Date made | possibly about 1520 |
Medium and support | oil on wood |
Dimensions | 40.9 × 30.8 cm |
Acquisition credit | Bequeathed by Mrs Joseph H. Green, 1880 |
Inventory number | NG1089 |
Location | Not on display |
Collection | Main Collection |
Previous owners |
The Virgin, Christ Child and Saint Anne, the Virgin’s mother, sit in a small ‘paradise’ garden. Saint Anne holds a fruit, probably a pear, in one hand and reaches out to Christ with the other. A book lies open on her knees.
The garden is edged by a turf bench supported by bricks, on which Anne is seated. A slightly ramshackle but peaceful farmyard lies behind, with ducks in a pond and a towered farm house. A man sits on a bench reading a book while another leans on the side of the porch, apparently chatting to a man who tends a donkey. A fourth man comes in through a gate in the wall.
The scene is derived from a painting possibly by Jan Provoost, of which several versions survive, but this picture seems closer in style to Albert Cornelis. He may have acquired or rented a popular ‘pattern’ from another workshop.
The Virgin Mary, Christ Child and Saint Anne, the Virgin’s mother, sit in a small ‘paradise’ garden. Saint Anne holds a fruit, probably a pear, in one hand and reaches out to Christ with the other. A book lies open on her knees.
The garden is edged by a turf bench supported by bricks, on which Anne is seated. A slightly ramshackle but peaceful farmyard lies behind, with ducks in a pond and a towered farm house. A man sits on a bench reading a book while another leans on the side of the porch, apparently chatting to a man who tends a donkey. A fourth man comes in through a gate in the wall.
The scene is derived from a painting possibly by Jan Provoost, of which several versions survive, but this picture seems closer in style to Albert Cornelis. He may have acquired or rented a popular ‘pattern’ from another workshop.
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