Workshop of Bernardino Luini, 'The Virgin and Child', early 16th century
Full title | The Virgin and Child |
---|---|
Artist | Workshop of Bernardino Luini |
Artist dates | about 1480 - 1532 |
Date made | early 16th century |
Medium and support | oil on wood |
Dimensions | 48.9 × 43.8 cm |
Acquisition credit | Layard Bequest, 1916 |
Inventory number | NG3090 |
Location | Not on display |
Collection | Main Collection |
Previous owners |
The Christ Child stands on a stone parapet leaning against his mother, who turns to meet his gaze. He wraps one arm tenderly about her neck as she holds him gently around his waist in a very natural pose. In his other hand he holds an apple, a symbol of the Fall of humankind that he will redeem by his Crucifixion. The little green book held by the Virgin is probably the Old Testament, which foretells Christ’s future sacrifice – she is marking her page with her thumb. The young Virgin’s foreknowledge of Christ’s destiny adds deep poignancy to the look exchanged between mother and son.
The painting has sometimes been accepted as an original work by Luini, but it was probably made by his workshop or may even be an early copy.
The Christ Child stands on a stone parapet leaning against his mother, who turns to meet his gaze. He wraps one arm tenderly about her neck as she supports him gently around his waist in a very natural pose. In his other hand he holds an apple, a symbol of the Fall of humankind that he will redeem by his future Passion. The little green book held by the Virgin is probably the Old Testament of the Bible, which foretells Christ’s future sacrifice – she is marking her page with her thumb. The young Virgin’s foreknowledge of Christ’s destiny adds deep poignancy to the look exchanged between mother and son.
The painting has sometimes been accepted as an original work by Luini, but it was probably made by his workshop or may even be an early copy.
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