Workshop of the Master of the Female Half-Lengths, 'Saint Christopher carrying the Infant Christ', possibly about 1540
Full title | Saint Christopher carrying the Infant Christ |
---|---|
Artist | Workshop of the Master of the Female Half-Lengths |
Artist dates | active second quarter of the 16th century |
Date made | possibly about 1540 |
Medium and support | oil on wood |
Dimensions | 24.5 × 53.7 cm |
Acquisition credit | Presented by Queen Victoria at the Prince Consort's wish, 1863 |
Inventory number | NG716 |
Location | Not on display |
Collection | Main Collection |
Previous owners |
According to legend, Saint Christopher was a giant, who was given the task of helping travellers across a river after he converted to Christianity. One day a child asked to be carried across, but Saint Christopher found him so heavy that he was bowed down with the weight. The child revealed that he was Christ and that Christopher carried the weight of the world on his shoulders.
Here, Christ has a faint halo of yellow light. It’s clearly a blustery day: the mantles of both figures blow in the wind. The man on the right with the long grey beard must be the hermit who instructed Saint Christopher in the Christian faith. The building behind him, a bell on its roof, might be his hermitage.
The style and technique of this painting are close enough to that of Saint John on Patmos, also in the National Gallery’s collection, to justify an attribution to the same workshop, although not to the same artist.
According to legend, Saint Christopher was a giant, twelve feet tall. He was called Christophoros, Greek for ‘the bearer of Christ’. When he converted to Christianity he was assigned the Christian service of helping travellers across a river. One day a child asked to be carried across but Saint Christopher found him so heavy that he was bowed down with the weight. The child revealed that he was Christ and that Christopher was carrying the weight of the world on his shoulders. Here, Christ has a faint halo of yellow light.
It’s clearly a blustery day: the mantles of both figures are blowing in the wind. Behind them, the river broadens into an estuary where seagoing ships are sailing. In the ship on the left, two sailors are furling the top sail on the foremast; on the right is a rowing boat. In the foreground, the man on the right with a staff and long grey beard must be the hermit who instructed Saint Christopher in the Christian faith. There are shells on the beach at his feet and the building with a bell on its roof behind him, might be his hermitage. On the other bank two men walk along a path through trees towards a seaside village. Above the village is a very large castle, behind which is a walled town with a large steepled church and various other buildings. On the back of the panel is a partly coloured underdrawing of a landscape.
The figures of the saint and the hermit resemble those in a woodcut of about 1501 by Albrecht Dürer, which they may be related to either directly or indirectly. The style and technique of this painting are close enough to that of Saint John on Patmos to justify an attribution to the same workshop, although not to the same artist.
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