Ellen Julia Hollond, née Teed. Salon hostess, philanthropist and author.
Ellen Julia Teed, Mrs Robert Hollond
1822 - 1884
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
No known connections with abolition.
National Gallery painting connections
Donor: presented in 1880: NG1090.
Previous owner: bequeathed by Robert Hollond, with a life-interest to his widow; entered the collection in 1885: NG1169 and NG1170.
Bibliography
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
Checked and not found
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Item on publisher's website
J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://www.oxfordartonline.com/groveart/
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Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
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Item on publisher's website
P. Waddington, 'Hollond [née Teed], Ellen Julia', in C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://doi.org/10.1093/ref:odnb/13570
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Item on publisher's website
Paintings previously owned by Ellen Julia Teed, Mrs Robert Hollond
Mrs Hollond (1822–1884), born Ellen Julia Teed, was the wife of the pioneering balloonist and MP Robert Hollond. She was a writer and philanthropist who lived for part of each year in Paris, where she held a salon that attracted intellectuals of a progressive cast of mind. Ary Scheffer was a pain...
Not on display
This small and intimate painting is a cabinet picture intended for private domestic display rather than public exhibition. It illustrates a story from Metamorphoses, the epic poem by the Roman poet Ovid. The wood nymph Syrinx is chased by the god Pan to the river Ladon, where she begs one of the...
In 1845 Ary Scheffer painted an episode recounted by Saint Augustine in his Confessions. The Church Father recalled sitting with his mother Monica shortly before her death and discussing the kingdom of heaven. The picture, for which Scheffer used his own mother as the model for Saint Monica, beca...
Not on display