Daughter of Antonio Yznaga del Valle (1823–1893) and sister of Consuelo Yznaga del Valle, who married George Victor Drogo Montagu, the 8th Duke of Manchester in 1876.
Emilie Yznaga
1859 - 1944
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
Antonio Yznaga del Valle was a sugar merchant and slaver-owner with plantations in Cuba and Louisiana. In 1870, he leased his Ravenwoods plantation to ’several squads of former slaves'. (Michael Wayne, The Reshaping of Plantation Society, Urbana and Chicago, 1990, 124.)
Abolition connections
No known connections with abolition.
National Gallery painting connections
Donor: bequeathed in 1945: NG5583–5890. Emile Yznaga also presented to Tate in 1937: N04867 (currently on loan to the National Gallery, L688).
Bibliography
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
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Item on publisher's website
C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://www.oxforddnb.com/
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J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://www.oxfordartonline.com/groveart/
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UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
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Item on publisher's website
Paintings previously owned by Emilie Yznaga
(Showing 6 of 9 works)
This intriguing picture is Boilly’s painted imitation of a print after one of his own compositions (possibly now lost). Although Boilly was an expert in trompe l’oeil, it is unlikely that he intended to trick the viewer into thinking they are looking at an actual print because he does not include...
Maria Maddalena Balletti, known as Manon Balletti, was the daughter of Antonio Giuseppe Balletti, an actor in the Comédie Italienne. Her brother Stefano, also an actor, was friends with the Venetian adventurer and author Giacomo Casanova, who declared his love for Manon. She broke off her existin...
Not on display
A young woman wearing a blue silk cape is shown half-length looking out of a stone window. Her fashionably powdered hairstyle was known as the ‘tête de mouton’ (’sheep’s head') and was popular in France in the 1750s. She rests her left arm on a piece of light beige cloth draped over the stone led...
Not on display
An opulently dressed man with glossy clean-shaven skin and clear blue eyes gazes directly at us with a slight smile on his lips. He wears a rose-gold coloured jacket with exotic gold tassels, covered with a gorgeous teal silk-velvet cloak lined with embroidered gold silk damask. His soft velvet c...
Not on display
We do not know the identity of this elegant young man in armour. Neither the wig nor the costume allows us to date the portrait precisely. He turns to look at us, as though glancing back for a moment, his lips slightly parted and his eyes directly meeting ours. The medal decorating his armour is...
Not on display
The unidentified young woman in this portrait turns to look at us with a slight smile. Her youth is emphasised by her pale downy flesh and the bloom on her cheeks, which echoes the delicate pinks in some of the flowers with which she is garlanded.Tocqué uses areas of textured thick white paint, k...
Not on display
After Alexandre Roslin
This is a portrait of Louis-Joseph-Xavier, Dauphin of France (1729–1765), the son and heir of King Louis XV of France. He is dressed in the uniform of a colonel of the Dauphin-Dragons, and wearing the blue sash of the Order of the Saint-Esprit and the red sash of the Order of the Golden Fleece. O...
Not on display
Christ’s lifeless body lies at the foot of the Cross, supported by the Virgin Mary; she gazes towards heaven in deep sorrow. Mary Magdalene clings to Christ’s left arm, unable to contain her grief, and Saint John the Evangelist buries his face in his red drapery. Two other men are still crucified...
You've viewed 6 of 9 paintings